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Collections

Johannes Nieuhof
Xantsui1665

On view:
Geffen Galleries
Engraving of a panoramic walled city view, with a banner-carrying eagle at top reading 'XANTSUI,' figures on roads in the foreground, and a calm river to the left

Johannes Nieuhof, Jacob van Meurs, Jacob van Meurs, Xantsui, 1665, Los Angeles County Museum of Art, Gift of Abbey Rents, photo © Museum Associates/LACMA

After
Johannes Nieuhof
Germany, Uelsen, 1618 - 1672
Publisher
Jacob van Meurs
Holland, Amsterdam, c. 1619-before 1680
Probably designed by
Jacob van Meurs
Holland, Amsterdam, c. 1619-before 1680
Title
Xantsui
Culture
Dutch
Place Made
Holland
Date Made
1665
Period
17th century
Medium
Engraving
Dimensions
Sheet: 12 1/8 × 14 1/2 in. (30.8 × 36.83 cm) Image: 7 3/4 × 12 1/4 in. (19.69 × 31.12 cm)
Credit Line
Gift of Abbey Rents
Accession Number
M.63.8.10
Classification
Prints
Collecting Area
Prints and Drawings
Curatorial Notes

Explorer Johannes Nieuhof recorded his travels through China between 1655 and 1657, including sketches of the landscape. As the first Dutch envoy to China, he was tasked with documenting the country, and his renderings and notes were later used to produce engraved illustrations for An Embassy from the East-India Company of the United Provinces, published in 1665 by Jacob van Meurs. However, the travelogue was embellished beyond Nieuhof’s descriptions and drawings, exoticizing the Chinese scenery with vegetation and pagodas and ultimately contributing to the rise of chinoiserie in eighteenth-century Europe.

LACMA’s engraving would have originally been bound as a foldout illustration. It shows a walled settlement called Xantsui (probably Zhangqiu), pictured along a riverbank and populated with pavilions and houses toward which figures travel on a path at center. Almost certainly the artist responsible for this print’s composition did not travel to China; the work is a mélange of inventive details from earlier engravings and other visual sources that ultimately highlight the subject’s foreignness to the Dutch viewer. Further, the high vantage point devotes substantial space to the sky, a common compositional approach among Northern artists during this period, reinforcing the distinctly Dutch perspective on the Chinese landscape.

Claire Spadafora Baes

2025