LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Maryam Zandi
Untitled1979, printed 2016

Not on view
Black and white photograph of a wall covered with rows of small portrait photographs and drawings of men's faces, each defaced with hand-drawn horns, fangs, and ink markings, with handwritten Persian script and the text 'U S A' visible
Artist or Maker
Maryam Zandi
Iran, born 1947
Title
Untitled
Date Made
1979, printed 2016
Medium
Gelatin silver print
Dimensions
Primary support: 24 1/16 × 28 1/8 in. (61.12 × 71.44 cm)
Credit Line
Purchased with funds provided by Art of the Middle East: CONTEMPORARY
Accession Number
M.2016.240.2
Classification
Photographs
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes

This photograph recording a collage of cutout and defaced images of the shah, mocking him as a demonic agent of the United States, was probably the work of students at Tehran University. Shot in early 1979, the playfulness and audacity of the anti-shah messaging, which gave way to scenes of violence, factionalism, and fear in the photographs Maryam Zandi made slightly later that year.

Selected Bibliography
  • Komaroff, Linda. In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art. Los Angeles: Los Angeles County Museum of Art; Munich; New York: DelMonico Books-Prestel, 2018.

Related Unframed

Time and Again: The Intersection of Past and Present in Iranian Art
Time and Again: The Intersection of Past and Present in Iranian Art
  • May 2, 2018
  • Linda Komaroff