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Collections

Manet, Edouard
Portrait of Louis Gauthier-Lathuille1879

On view:
Geffen Galleries
Oil painting portrait of a man from the knees up, wearing a dark frock coat, with a green trellis and loosely painted foliage behind him
Artist or Maker
Manet, Edouard
France, Paris, 1832-1883
Title
Portrait of Louis Gauthier-Lathuille
Culture
French
Date Made
1879
Medium
Pastel on canvas
Dimensions
Canvas: 21 5/8 × 18 1/8 in. (54.93 × 46.04 cm) Framed: 31 1/4 × 27 5/8 × 3 1/4 in. (79.38 × 70.17 × 8.26 cm)
Credit Line
Gift of A. Jerrold Perenchio
Accession Number
M.2025.64.36
Classification
Drawings
Collecting Area
European Painting and Sculpture
Curatorial Notes

Édouard Manet rebelled against the academic establishment but at the same time respected and excelled in one of art history’s central genres: portraiture. Most of his portraits date from the last five years of his life, and most were executed in pastel. Here, the sitter is Louis Gauthier-Lathuille (b. 1857), son of the proprietor of a popular bar and restaurant frequented by Manet and his artist friends. Le Père Lathuille had an outdoor garden and seating area, which Manet utilized as a background for a painting made the same year as this pastel (Musée des Beaux-Arts, Tournai). In the painting, Gauthier-Lathuille is engaged in conversation with a woman while a waiter stands by in the background. The pastel offers a more personal view of the man who would come to run the café until the end of the nineteenth century, and who later built a theater on the site. He wears a fashionable black jacket, a gold pin secures his cravat, and a server’s napkin is tucked under his left arm. The mirror behind reflects his back, as well as a tree in the garden before him. The café’s bright decor contrasts with the young man’s dark clothing, just as the soft medium of pastel seems inconsistent with the mirror’s reflective surface, yet the overall effect is pleasing and harmonious.

Leah Lehmbeck

2016/2024

Provenance

Estate of the artist, Mme Manet (née Suzanne Leenhoff, 1830–1906), Paris, in 1883, sold to; Louis Gauthier-Lathuille (b. 1857), Paris, still in 1902. [Georges Bernheim, Paris]. Henry-Jean Laroche (1866–1935), Paris.(1) [Paul Rosenberg (1881–1959), Paris, before 1917].(2) [Alfred Flechtheim (1878–1937), Berlin (Galerie Flechtheim), c. 1924]. Alfred Leonhard Tietz (1883–1941), Cologne, c. 1928, to c. 1932.(3) [Possibly French Art Galleries—Moritz (Morris) Gutmann (b. 1892), December 1937 to January 1938].(4) [Otto Gerson (1902–1962), New York, after c. 1940].(5) David M. (1891–1984) and Ruth S. Heyman, New York, by 1947 (sale, New York, Christie’s, 16 May 1984, lot 10, to);(6) A. J. Perenchio (1930–2017), Los Angeles, gifted 2025 to; Los Angeles County Museum of Art

Footnotes

(1) Henry-Jean (H.-J.) Laroche appears as the previous owner on Rosenberg’s Inventory Card for this Manet portrait; however, according to The Paul Rosenberg Archives, they do not have any additional information about this Manet in their Laroche file (email from Ilda François to Casie Kesterson, 22 September 2015). The industrialist H.-J. Laroche was an admirer, patron, and collector of Impressionist and modern artists and was close friends with Vuillard. Laroche’s collection was inherited by his son Jacques.

(2) The Paul Rosenberg Archives have very little in their files concerning this Manet, and they have assumed that Rosenberg purchased the Manet sometime before 1917 based on his inventory stock number 159 for this pastel (email from Ilda François to Casie Kesterson, 22 September 2015).

(3) Upon the death of his father, Alfred Tietz took over the eponymous German department store chain in 1914. In the 1930s, the store was Aryanized, and the name was changed from Tietz to Westdeutsche Kaufhof Akiengellschaft [now Galleria Kaufhof]. Tietz immigrated to the Netherlands in 1934, and later to Palestine in 1940, and died in Jerusalem in 1941.

(4) From December 1937 to January 1938, the portrait was exhibited at French Art Galleries in New York, located at 51 East 57th Street. Moritz (Morris) Gutmann (b. 1892 in Stuttgart) fled Berlin in the 1930s, arrived in the US in January 1936, and established French Art Galleries in New York that same year. It is unclear yet if Gutmann owned the painting at this time, or if the painting was on consignment.

(5) New York art dealer Otto Gerson, together with his wife, Ilse Goehler, became active art dealers beginning around 1940.

(6) David M. Heyman was an investment banker, philanthropist, and advocate for improved health services for the City of New York.

Selected Bibliography
  • Lehmbeck, Leah, ed. Impressionist and Modern Art: The A. Jerrold Perenchio Collection. Los Angeles: Los Angeles County Museum of Art; Munich: DelMonico Books/Prestel, 2016.
Copyright
photo © Fredrik Nilsen

Related Unframed

A. Jerrold Perenchio Announces Bequest of His Impressionist and Modern Art Collection to LACMA
A. Jerrold Perenchio Announces Bequest of His Impressionist and Modern Art Collection to LACMA
  • November 6, 2014
  • Linda Theung