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Collections

Kimon Evan Marengo
Kaveh, the symbol of liberation for the Iranian people, coming before Zahhak-Hitler and raising his blacksmith’s apron as a banner of rebellion1942

Not on view
Color print in the style of a Persian manuscript illustration, showing a court scene with a robed figure on a throne, multiple figures with swastika symbols, and Persian script in an upper text panel
Artist or Maker
Kimon Evan Marengo
Egypt, 1904-1988
Title
Kaveh, the symbol of liberation for the Iranian people, coming before Zahhak-Hitler and raising his blacksmith’s apron as a banner of rebellion
Date Made
1942
Medium
Ink on paper
Dimensions
Image: 11 15/16 × 8 in. (30.32 × 20.32 cm) Primary support: 13 1/2 × 9 in. (34.29 × 22.86 cm)
Credit Line
Purchased with funds provided by Shidan Taslimi
Accession Number
M.2016.180.4
Classification
Prints
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes
During World War II, as part of an effort to promote popular support for the Allies in Iran, the British government commissioned propaganda posters that utilized a key episode from the Iranian national epic, the Shahnama: the story of the wicked King Zahhak. Here and throughout the series, Hitler is portrayed as the evil Zahhak, who has a pair of snakes growing from his shoulders with the heads of Mussolini and Tojo; the chief minister of Nazi propaganda, Goebbels, is represented as Satan, in the guise of Zahhak-Hitler’s cook.
Selected Bibliography
  • Komaroff, Linda. In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art. Los Angeles: Los Angeles County Museum of Art; Munich; New York: DelMonico Books-Prestel, 2018.