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Collections

Siamak Filizadeh
Harem2014

Not on view
Color photograph of a digitally composited scene: a tattooed bearded man in a fez holding a white animal stands before an ornate Persian-style palace interior with arched elevator doors and costumed figures in the niches
Artist or Maker
Siamak Filizadeh
Iran, born 1970
Title
Harem
Date Made
2014
Medium
Inkjet print
Dimensions
59 1/16 × 39 3/8 × 1 1/4 in. (150.02 × 100.01 × 3.18 cm)
Credit Line
Purchased with funds provided by Kitzia and Richard Goodman through the 2016 Collectors Committee
Accession Number
M.2016.138.13
Classification
Photographs
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes

Details of Nasir al-Din’s family life and lovers are preserved in a variety of sources, his own photographs of the royal harem among them. Women, and not only his domineering mother, Mahd Ulya, but also several of his wives, left their mark on his reign. Here the artist imagines the harem as a bordello, although the shah is more interested in his rabbit than in the temptations of his wives. In addition to Jayran and Anis al-Dawla, who stand provocatively in doorways on the lower level, on the upper floor, two other women, seemingly nude and posed in a sexualized manner behind sheer curtains, have their availability signaled by green elevator-like arrows above their windows.

Selected Bibliography
  • Komaroff, Linda. In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art. Los Angeles: Los Angeles County Museum of Art; Munich; New York: DelMonico Books-Prestel, 2018.