A transformative moment in Mexican history, the 1968 Olympics in Mexico City is remembered both for its brilliant design scheme and for the horrifying massacre of student protestors only days before the opening ceremonies. For Mexican politicians, the games provided an unprecedented opportunity to present the rapidly modernizing nation to a global audience. Design played a crucial role; as Mexican architect Pedro Ramirez Vasquez, director of the Organizing Committee for the Games of the XIX Olympiad, observed in a 2005 interview, "Of least importance was the Olympic competition: the records fade away but the image of a country does not."
Ramirez Vasquez oversaw the large international design team, including American designer Lance Wyman and Mexican architect Eduardo Terrazas, which developed a sophisticated branding program to unify the sprawling metropolis. The games’ iconic logo was attributed at the time to Wyman, though conflicting accounts assign some credit to Ramirez Vasquez and Terrazas. The logo’s hypnotic, radiating lines reference both the international fashion for Op Art and the celebrated textile techniques of Mexico’s Huichol people. This blend of modern graphics and traditional Mexican imagery permeated the Olympic design program, as evidenced by this interpretation of the Aztec calendar stone composed of the symbols developed for individual events and locations.
Staci Steinberger, Associate Curator, Decorative Arts and Design, 2021
