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Collections

Nasser Al Salem
God is Alive, He Shall Not Die (blue)2012

Not on view
Neon sculpture of Arabic calligraphy in electric blue, surrounded by concentric spiraling neon tubes inside a black box enclosure
Neon light installation in a recessed box, Arabic calligraphy in glowing blue neon tubes surrounded by concentric spiral lines, casting blue light against dark mirrored walls.
Artist or Maker
Nasser Al Salem
Saudi Arabia, Mecca, born 1984
Title
God is Alive, He Shall Not Die (blue)
Place Made
Saudi Arabia, Jeddah
Date Made
2012
Medium
Neon in infinity box
Dimensions
48 × 47 3/4 × 6 1/4 in. (121.92 × 121.29 × 15.88 cm)
Credit Line
Purchased with funds provided by the Al-Ammar Family
Accession Number
M.2014.181
Classification
Sculpture
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes

In the Islamic world, calligraphy has always been considered the noblest form of art because of its association with the Qur’an, the Muslim holy book, which is written in Arabic. Trained as both a calligrapher and an architect, Nasser Al Salem has developed a unique approach to writing. He focuses on the words and their meaning, medium, and aesthetic, resulting in multivalent, highly nuanced, and engaging works. In God Is Alive, He Shall Not Die (blue), Al Salem employs neon to amplify the word "Allah," which, through the use of mirrors, creates an optical illusion that provides visual substantiation to the believer of God’s infinite nature.



Nasser Al Salem has exhibited with the arts initiative Edge of Arabia in Istanbul, Turkey, and Jeddah, Saudi Arabia. His work was included in the British Museum’s Hajj exhibition (2012), and was short-listed for the 2013 Jameel Prize. While his work is strongly influenced by Islamic faith and tradition, he often employs nontraditional media such as neon, video, and even sand for his calligraphy, in addition to the more customary ink on paper.

Selected Bibliography
  • Komaroff, Linda. "Islamic Art Now and Then." In Islamic Art: Past, Present, Future, edited by Sheila Blair and Jonathan Bloom, 26-56. New Haven, New York, and London: Yale University Press, 2019.

  • Sardar, Marika, editor. Image?: the Power of the Visual. Toronto: Aga Khan Museum, 2022.