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Collections

Michael van Beuren
San Miguelito Chair from the Domus Linedesigned 1940-1941, manufactured 1947-1960

On view:
Geffen Galleries
Low lounge chair with dark walnut wood frame and sandy tan woven fiber seat and back in a basket-weave pattern, shown in three-quarter view
Lounge chair with dark walnut-toned wooden frame and woven natural fiber strapping in a basket-weave pattern across the seat and angled backrest.
Low lounge chair with dark wood frame and seat and back woven from wide natural fiber strips in an open basket-weave pattern, photographed straight-on against a neutral gray background.
Lounge chair with dark walnut-toned wooden frame and splayed legs, seat and back formed by wide woven natural fiber straps in a basket-weave pattern.
Chair with dark wood frame viewed from the rear, seat and back formed by wide woven natural fiber straps in a basket-weave pattern with open rectangular gaps between crossings.
Designer
Michael van Beuren
United States, active Mexico, Mexico City, 1911-2004
Designer
Klaus Grabe
Germany, active in Mexico and United States, 1910-2004
Designer
Morley Webb
United States, active Mexico, Mexico City, 1910-1986
Manufacturer
Domus
Mexico, Mexico City, 1938-present
Title
San Miguelito Chair from the Domus Line
Place Made
Mexico, Mexico City
Date Made
designed 1940-1941, manufactured 1947-1960
Medium
Pine, agave fiber (ixtle)
Dimensions
32 × 21 3/4 × 26 in. (81.28 × 55.25 × 66.04 cm)
Credit Line
Purchased with funds provided by the Bernard and Edith Lewin Collection of Mexican Art Deaccession Fund
Accession Number
M.2015.42
Classification
Furnishings
Collecting Area
Latin American Art
Curatorial Notes

The San Miguel or San Miguelito side chair is one of Michael van Beuren’s most successful and representative designs. The chair is a modern interpretation of the traditional butaca (easy chair), which was popular in Mexico’s coastal areas since the colonial period. This particular iteration of the San Miguelito chair, which was likely produced from 1947 to 1960, combines Mexican white pine wood (ayacahuite) and agave fiber (ixtle). The model was included in the famous Organic Design in Home Furnishings competition organized by the Museum of Modern Art in New York in 1940, where it went on to win a prize.

Van Beuren was an important catalyst in the introduction of modern furniture design in Mexico in the 1930s and 1940s. Born in New York, he moved to Europe in 1930 to escape the Great Depression. There, alongside several other Americans, he attended the legendary Bauhaus art school in Dessau (1931–32), and also studied with Mies van der Rohe (1886–1969), the last director of the faltering institution when it moved to Berlin in 1933. The threat of fascism forced many of van Beuren’s classmates to return to the U.S., but he set his sights on Mexico, where he moved permanently in 1938. He and fellow Bauhaus-educated Klaus Grabe, who arrived a few months later, began designing furniture for private clients under the name of Grabe & Van Beuren. By 1939, the young designers had joined forces with the American architect Morley Webb and established a small yet highly successful furniture operation in Mexico City under the label Domus. Van Beuren and Grabe were largely responsible for the designs, while Webb, and later van Beuren’s brother Freddy, was in charge of the daily operation of the store and public relations. Their goal was to create a line of high-quality furniture that combined local Mexican furniture materials, excellent craftsmanship, and a more modern, streamlined aesthetic that reflected a Bauhaus sensibility of radically simple forms, rationality, and functionality. By the 1950s, the company was supplying the major retail stores of the day (e.g., Palacio de Hierro, Puerto de Liverpool, and Salinas y Rocha). The company kept its name when it was sold to Singer in 1973.

Ilona Katzew

2024

Selected Bibliography
  • Kaplan, Wendy, ed. Found in Translation: Design in California and Mexico, 1915-1985. Los Angeles: Los Angeles County Museum of Art; Munich: DelMonico Books-Prestel, 2017.

Related Unframed

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Have A Seat: Modern Chairs from Latin America
Have A Seat: Modern Chairs from Latin America
  • May 31, 2022
  • Ilona Katzew, Rachel Kaplan