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Collections

Ramin Haerizadeh
#82011-2014

Not on view
Framed mixed-media collage combining cut gray paper, Persian calligraphy panels, a photograph of a woman in a headscarf, a miniature painting reproduction, and a still life photo on a blush pink ground
Mixed-media collage on pink ground with layered paper-cut wavy forms framing a central photographic collage; a standing woman in a floral headscarf and beaded garment faces a seated figure in a striped turban beside a blue pedestal bowl of grapes; multiple text blocks in Arabic script throughout.
Artist or Maker
Ramin Haerizadeh
Iran, Tehran, born 1975
Artist or Maker
Hesam Rahmanian
United States, born 1980
Artist or Maker
Rokni Haerizadeh
Iran, Tehran, born 1978, active Dubai
Artist or Maker
Iman Raad
Iran, Mashad, born 1979
Title
#8
Place Made
United Arab Emirates, Dubai
Date Made
2011-2014
Medium
Mixed media
Dimensions
29 15/16 × 22 1/16 in. (76 × 56 cm) Frame: 40 3/16 × 32 5/16 × 1 9/16 in. (102 × 82 × 4 cm)
Credit Line
Purchased with funds provided by Shulamit Nazarian
Accession Number
M.2014.229
Classification
Prints
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes

Persian miniature paintings were made to illustrate manuscripts that were often later dismantled and dispersed to satisfy the demands of modern-day collectors. Alluding to this tradition, this page emulates a detached manuscript folio. It belongs to an ongoing project currently comprising twenty-four works that visually narrate a fourteenth-century satirical text, the Risala-i Dilqusha (Joyous Treatise)—by the Persian poet Ubayd-i Zakani. The text accompanying each illustration explains the figural composition. This example reads: "While Muzabbid’s wife was pregnant, she looked at his face and said, ‘Woe to me if what is in my belly should look like you.’ ‘Woe to me if it should not!’ he said."

Of the quartet of artists who produced this collaborative work, the Haerizadeh brothers—Rokni and Ramin—are by far the best known. Exhibiting widely in the region and abroad, they are distinguished by their grotesque figures and often darkly humorous commentary on contemporary culture. Hesam Rahmanian focuses primarily on painting, while Iman Raad works mainly in embroidery and graphic design.