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Collections

Otto Eckmann
Consolecirca 1900

Not on view
Tall wooden hall mirror with architectural columns, carved acanthus capitals, foliate panel decoration, and a narrow central mirror flanked by four fluted columns
Tall wooden architectural model or furniture piece in warm honey-toned wood, featuring a colonnade of slender columns with carved capitals supporting a flat cornice, raised on two square paneled pedestals with dark wood inlay detailing.
Tall wooden architectural furniture piece in warm honey-toned wood, featuring four carved columns with foliate capitals supporting a flat cornice, raised on paired square pedestals with inlaid panel decoration and brass hardware accents.
Artist or Maker
Otto Eckmann
Germany, Hamburg, 1865-1902
Manufactured by
Keller & Reiner
Germany, Berlin
Title
Console
Date Made
circa 1900
Medium
Mahogany, maple, lemon wood, oak, spruce, mirror glass, brass
Dimensions
76 × 26 × 12 in. (193.04 × 66.04 × 30.48 cm)
Credit Line
Gift of Viveca Paulin-Ferrell and Will Ferrell, Shannon and Peter Loughrey, and Cheryl Nakao-Miller and Jimmy Miller through the 2014 Decorative Arts and Design Acquisition Committee (DA2)
Accession Number
M.2014.70.3
Classification
Furnishings
Collecting Area
Decorative Arts and Design
Curatorial Notes

Trained as a painter, Otto Eckmann rejected his early success in this arena and fully embraced the decorative arts. He made a public renunciation in 1894, auctioning off all his paintings and bidding them a "cordial farewell. . . . May we never meet again." A true Arts and Crafts movement convert, he immediately started designing ceramics, jewelry, books, stained glass, metalwork, furniture, and textiles. While he remains most renowned for his two-dimensional work, this console (or cabinet) demonstrates his equal mastery of furniture.

In the few years before his tragic death from tuberculosis at the age of 37, he achieved enormous success in Munich, Darmstadt, Krefeld, and Berlin, receiving commissions from leading textile and furniture manufacturers as well as the most progressive and influential arts patrons in Germany. He designed a study for the Grand Duke of Hesse’s palace in Darmstadt, tapestries that made the Scherrebek weaving school famous, and a music room for Keller & Reiner, a Berlin company that was a leader in the progressive drive to make quality furniture accessible to a middle-class audience. Following the Arts and Crafts ideal of the gesamtkunstwerk (total design unity), Keller & Reiner would commission entire suites from a single designer – this console is from the music room Eckmann designed for the company about 1900, which was rapturously written about in Dekorative Kunst in 1901. The article notes how carefully Keller & Reiner selected the best designers and how closely the company worked with Eckmann to realize his ensemble, and declares that the most original aspect about the room is the consoles, on which busts of famous musicians were placed.

On display in the company showroom, the music room furnishings – including Eckmann’s wallpaper and textiles – were intended for "serial" production. The avant-garde nature of the design coupled with a price that most could still not afford meant that very few were made; only one other console (in the collection of the Bavarian National Museum) is known. Wendy Kaplan, Curator & Department Head of Decorative Arts and Design