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Collections

Kamran Sharif
Untitled2013

Not on view
Sculptural object in polished brass and pale gold tones: a square grille-faced upper unit connected by a curved black cord to a six-panel rectangular base supported by branching metal prongs
Mixed-media sculpture combining a gold-toned square pendant with black grid pattern and red hand motif, connected by a black cord to a rectangular gold ring with segmented translucent panels and branching metallic prongs.
Mixed-media assemblage combining a brass-framed square heater grill with a black grid and orange glowing element, connected by a curved black hose to a gold-toned rectangular ring with faceted surface, mounted on delicate branching metal supports.
Polished bronze sculpture of a lamp form, with a rounded rectangular translucent amber shade atop a curved black cord-like stem rising from a geometric four-pointed star base with pyramid facets.
Artist or Maker
Kamran Sharif
Iran, Tabriz, born 1978
Title
Untitled
Date Made
2013
Medium
Bronze
Dimensions
Installation: 52 1/2 × 20 × 29 in. (133.35 × 50.8 × 73.66 cm) a): 22 1/2 × 18 × 14 1/2 in. (57.15 × 45.72 × 36.83 cm) b): Length: 46 in. (116.84 cm) c): 17 × 17 × 26 in. (43.18 × 43.18 × 66.04 cm)
Credit Line
Gift of Mr. Nejat and Mrs. Homa Sarshar
Accession Number
M.2014.42a-c
Classification
Sculpture
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes

Born in Tabriz, Kamran Sharif studied at the Mirak School of Visual Arts in Iran where he began his career as a sculptor, working primarily in bronze to create three-dimensional geometric shapes that demonstrate the artist’s mastery of metalwork technology. Now based in Los Angeles, Sharif addresses his immigration to the United States in this exceptional piece: the geometric-shaped bottom repeats his earlier works and serves as a symbol of Iran while the blinking "Walk/ Don’t Walk" sign alludes to urban life in America, as well as providing a pithy reference to the trials of living in a new country. A thin but strong black cable (perhaps for communication) links top and bottom, joining the symbols of Sharif’s two homes. Its undulating anthropomorphic form recalls the iconic Heech works of Iran’s leading metal sculptor, Parviz Tanavoli, but here Sharif has further animated the piece through the inclusion of the changing lights.