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Collections

William Spratling
Olmec-Style Earrings (Aretes estilo olmeca)early 1960s

Not on view
Pair of drop earrings with carved blue-gray-green stone pendants, gold wire hooks, flat gold disc inlays, and dangling gold bead fringe at the base
Artist or Maker
William Spratling
United States, active Mexico, 1900-1967
Title
Olmec-Style Earrings (Aretes estilo olmeca)
Date Made
early 1960s
Medium
Jade with gold mounting
Dimensions
3 1/8 × 3/4 × 1 in. (7.94 × 1.91 × 2.54 cm) each
Credit Line
Gift of Gilbert A. Hampton and James Economos
Accession Number
M.2013.30a-b
Classification
Jewelry and Adornments
Collecting Area
Latin American Art
Curatorial Notes

Celebrated silver designer William Spratling began working with gold in the late 1950s and soon introduced what he marketed as “authentic and unique pieces of pre-Columbian jade, rock crystal, shell, etc.” into his jewelry. These one-of-a-kind dangling earrings exemplify Spratling’s fascination with Mesoamerican art. Their elongated profiles recall carved jade Olmec figures (M.2023.61.534), which Spratling embellished with gold. Jade was among the most valuable and sacred materials for the Olmec culture, and was often fashioned into adornments and other prized objects by highly skilled artisans.

Trained as an architect, Spratling moved from New Orleans to Taxco, Mexico, where he established his first silver workshop in 1931. Working alongside master silversmiths and local apprentices, in 1935 he opened his famed Taller de Las Delicias, which attracted a cohort of international artists, intellectuals, and Hollywood celebrities. Spratling’s emphasis on craftsmanship and his experimentation with different sources, including Mesoamerican art, Art Deco, and modernism, contributed to his great success and helped revitalize the Mexican silver industry.

Rachel Kaplan

2024

Copyright
© artist or artist's estate