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Collections

Centipede Pincers Eccentric Flint600–900 CE

On view:
Geffen Galleries
Knapped stone object with a horseshoe or crescent shape, smoky olive-gray with translucent edges and flaked surface texture, two small ear-like projections at the top
Title
Centipede Pincers Eccentric Flint
Culture
Maya
Place Made
Mexico, Honduras, Guatemala, or Belize
Date Made
600–900 CE
Medium
Chert
Dimensions
1 4/5 x 2 x 1/2 in. (4.572 x 5.08 x 1.27 cm)
Credit Line
Purchased with funds provided by Camilla Chandler Frost
Accession Number
M.2010.115.998
Classification
Stone
Collecting Area
Art of the Ancient Americas
Curatorial Notes

The most sophisticated of Classic Maya knappers, makers skilled in the chipping of chert and obsidian to produce stone tools, could create so-called “eccentric” forms—that is, blades with irregular and elaborate shapes used for ceremonial purposes. These artists used a process called pressure flaking, where minuscule pieces of stone could be chipped off the main core with a soft, sturdy material like deer antler to produce intricate shapes at the flint’s edge. This eccentric flint takes the form of a centipede’s open jaws, a symbol for the entrance to the watery underworld in Classic Maya art.

Archaeologists have excavated caches of eccentric flints from dedicatory deposits at numerous Classic Maya sites; in these contexts, they likely comprised protective offerings that linked civic-ceremonial spaces with the primordial sea. This example pertains to a group of sixteen flints that may have formed a similar cache.

Alyce de Carteret

2025

Further Reading

Agurcia Fasquelle, Ricardo, Payson Sheets, and Karl Andreas Taube. Protecting Sacred Space: Rosalila’s Eccentric Chert Cache at Copan and Eccentrics among the Classic Maya. Precolumbia Mesoweb Press, 2020.

Selected Bibliography
  • O'Neil, Megan E. Forces of Nature: Ancient Maya Arts from the Los Angeles County Museum of Art. Beijing Shi: Wen wu chu ban she, 2018.