- Artist or Maker
- Lalla Essaydi
Morocco, active United States, New York, born 1956 - Title
- Reclining Odalisque
- Date Made
- 2008
- Medium
- Three chromogenic prints mounted to aluminum and protected with Mactac luster laminate
- Dimensions
- Panel (a-c) Panel): 59 1/2 × 48 × 1 1/4 in. (151.13 × 121.92 × 3.18 cm)
a-c) Overall: 59 1/2 × 144 × 1 1/4 in. (151.13 × 365.76 × 3.18 cm)
- Accession Number
- M.2012.19a-c
- Collecting Area
- Art of the Middle East: Contemporary
- Curatorial Notes
Lalla Essaydi’s art frequently depicts the reclining female form to address issues of identity from her own unique perspective as an
artist, a woman, an Arab, a Muslim, and a Moroccan. Reclining Odalisque takes its subject matter and title from nineteenth century
European Orientalist paintings, which portrayed a fantasized Western notion of a harem slave (or odalisque), shown nude
or partially clad and presented for the male gaze. Essaydi weds the traditionally feminine medium of henna decoration and the
rich practice of calligraphy to inscribe the model and her surroundings with her own words, situating the subject amidst the
anxieties she sees in her culture. The woman stares defiantly outward, challenging the viewer to see her beyond the discourses
that surround her. Born and raised in Morocco, Essaydi received her formal training in France and the United States,
where she now resides.
- Selected Bibliography
- Komaroff, Linda, Stephanie Rouinfar, Sandra Williams, and Sarah Mostafa Ahmed. Women Defining Women in Contemporary Art of the Middle East and Beyond. Los Angeles: Los Angeles County Museum of Art, 2023. https://archive.org/details/women-defining-women (accessed January 12, 2024).