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Collections

Firooz Zahedi
Untitled, from the series Elizabeth Taylor in Iran1976, reprinted 2011

Not on view
Black and white photograph of a man seated on a marble floor with his back to us inside a large building with dense geometric tilework, pointed arches, and Arabic or Persian calligraphic inscriptions
Artist or Maker
Firooz Zahedi
Title
Untitled, from the series Elizabeth Taylor in Iran
Place Made
shot in Iran, printed USA
Date Made
1976, reprinted 2011
Medium
Chromogenic development print
Dimensions
Image and sheet: 14 x 11 in. (35.56 x 27.94 cm); Framed: 15 x 12 x 1 1/2 in. (38.1 x 30.48 x 3.81 cm)
Credit Line
Gift of the artist
Accession Number
M.2011.70.13
Classification
Photographs
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes

In 1976 Elizabeth Taylor visited Iran for the first and only time. Accompanying her was Firooz Zahedi, today a successful Hollywood photographer but then a recent art school graduate just learning his craft. Iran provided an exotic and engaging locale for Taylor, a tireless global wanderer still at the height of her fame. For Zahedi, who had left Iran as a child, this was a reintroduction to his own country, which he experienced not only through the camera lens but through Taylor’s eyes. It was a remarkable journey for both as documented by Zahedi’s vivid photographs, shown together here for the first time.



The pair traveled to the main tourist sites: ancient Persepolis, where the Tent City erected in 1971 for the 2,500 year celebration of the Persian Empire was still standing; Shiraz, home of poetry and wine; and Isfahan, renowned for its beautiful tile-clad buildings. Grouped in narrative fashion, the images depict people and places with the actress as tourist, but one so iconic that she is never anonymous even wrapped in a chador. In the Isfahan bazaar, Taylor was attracted to and purchased a traditional tribal outfit. Dressed in this colorful costume and in full make-up, the film star posed as an Oriental odalisque, an especially suitable persona for one who was herself a male fantasy. Though Zahedi took many photographs of Taylor in the years following their Iran trip, none are as personal, candid, or creative as these unique images.