Edward Ruscha

True1989

This Week at LACMA

Take a Queer-Futurist Sci-Fi Journey in Andrew Thomas Huang’s “The Deer of Nine Colors”

“This is just an illusion”: Christina Quarles on “Now We’re There (And We’ Only Just Begun)”

All things can be true: Tavares Strachan and Diana Nawi in Conversation

Cupid and Psyche: Art History's Original Third-Act Break-Up

Diffuse Control by Beeple Iteration: Matrix Residua

Remembrance of Things Future: A Conversation with Yatreda's Kiya Tadele on Responding to LACMA’s Collection

Explore Ecology and Extraction at a Performance and Screening of “S̶t̶r̶a̶y̶ D̶o̶g̶ Hydrophobia”

Frances Stark’s Way of Seeing

In Memoriam: Wallis Annenberg (1939–2025)

Artists Represent Themselves: Frida Orupabo on “Untitled (sources unknown except Shadman Shahid [bottom left])”

50 Works 50 Weeks: Georges de la Tour’s “The Magdalen with the Smoking Flame”

More Tickets to Kamasi Washington Live at LACMA's David Geffen Galleries Are Now Available

New Acquisition: Hiroshi Sugimoto’s “Sea of Buddha 049 (Triptych)”

Experiencing Awe and Wonder: Meditative Looking in Mapping the Infinite and Island Universe

Get a Taste of Ed Ruscha’s Chocolate Room

Some Very Demure, Very Mindful Ladies from Art History

Erick Calderon’s Chromie Squiggle 9,999

Baca: A Cinematic Portrait of Judy Baca and The Great Wall of Los Angeles

Queer LACMA: Staff Collection Highlights

“I use the computer to explore what it means to be a human”: Tyler Hobbs’ Connected for the Moment 1 and Discrete Affection #3

Celebrating “Topping Out”

In Memoriam: Robert Irwin (1928–2023)

Remembrance of Things Future: A Conversation with William Mapan, Artist Experimenting on the Blockchain