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© Museum Associates 2026
Collections

Bowllate 15th century

Not on view
Domed silver-toned metal lid or bowl, viewed from above, covered entirely in dense repoussé and engraved decoration with a central floral rosette, a band of Arabic or Persian script, and allover scrolling foliate motifs
Silver or tinned-metal bowl viewed from above, with a densely engraved circular medallion at the base depicting intertwined floral and foliate scrollwork, smooth plain interior walls, and worn patinated surface.
Title
Bowl
Culture
Timurid
Place Made
Afghanistan, probably Herat
Date Made
late 15th century
Medium
Tinned copper
Dimensions
Height: 1 3/4 in. (4.45 cm); Diameter: 5 3/8 in. (13.65 cm)
Credit Line
Purchased with funds provided by Karl Loring
Accession Number
M.2010.26
Classification
Metal
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

This petite shallow bowl belongs to a group of similarly decorated deluxe tinned copper wares that were likely made in Herat, the capital of the Timurid dynasty and a renowned center for Persian art and culture. These bowls, cups and plates can be generally associated with the serving and drinking of wine. Because tin is highly resistant to organic acids, the interior surfaces of receptacles for food and beverages were frequently tinned to protect both vessel and owner. Beginning in the Timurid period, the exteriors of vessels (and other objects such as candlesticks) were often tinned as well clearly for decorative purposes and perhaps to emulate silver. Along with inscriptions, the program of design of this group comprises primarily a chinoiserie decorative vocabulary of boldly conceived large-scale blossoms and leaves, combined with more traditional foliate scrolls, and geometricizing designs such as an interlocking Y-pattern, as here. The poetic text inscribed in a band below the rim of this bowl contains three couplets abridged from a ghazal (ode) by the renowned Persian poet Hafiz (d. 1390), which is particularly suitable for such a wine vessel. In four cartouches on the underside of the bowl, which would be visible when it was raised to the lips, is a dedicatory inscription to its owner Master (ustad) Yari the coppersmith (saffar).

Selected Bibliography
  • Arts of the Islamic World: including Fine Carpets and Textiles. Sale cat. [Sotheby’s]. London, October 7, 2009, p. 78, fig. 113
  • Komaroff, Linda. The Golden Disk of Heaven: Metalwork of Timurid Iran. Costa Mesa, California: Mazda, 1992.

  • Martin, F.R. Ältere Kupferarbeiten aus dem Orient. Stockholm: Chelius, 1902.

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