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Collections

Unknown
Folding Table with Dragons and Auspicious Symbols17th-18th century

On view:
Geffen Galleries, Pan-Asian Buddhist Art
Carved and polychrome-painted wooden chest with densely carved mythological birds, scrolling foliage, and floral motifs in gold, red, and teal on the front face and lid border
Rectangular wooden chest with deeply carved and polychrome-painted decoration; front panel features scrolling floral motifs, birds, and a central vase amid foliage in red, green, and gilt; carved border runs along the lid edge.
Rectangular wooden box with flat hinged lid, densely carved and polychromed with birds, lotus blossoms, and scrolling foliate patterns in red, gold, green, and brown tones.
Rectangular wooden box with a flat lid, sides densely carved with scrolling floral and foliate patterns highlighted in gold, red, and green pigments; worn surface with visible age patina.
Artist or Maker
Unknown
Title
Folding Table with Dragons and Auspicious Symbols
Place Made
Tibet
Date Made
17th-18th century
Medium
Wood with mineral pigments and traces of gilding
Dimensions
11 x 25 1/2 x 12 in. (27.94 x 64.77 x 30.48 cm)
Credit Line
Gift of Ruth Hayward, Ph.D. and Robert Hayward, M.D., in honor of John Hirx, Senior Conservator, LACMA, through the 2010 Collectors Committee
Accession Number
M.2010.78.1
Classification
Furnishings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Small Tibetan tables, especially folding tables such as this extraordinary example, are typically used for special rituals performed away from the monastery, and for monks who preferred lower tables for use in temples. The folding tables are typically constructed with peg hinges enabling them to be folded flat so they can be easily transported.

This folding table is a tour de force of Tibetan woodcarving in relief. The front panel is adorned with a flaming wish-fulfilling jewel, symbolic of the Three Jewels (triratna) of Buddhism, the Buddha (the enlightened one), the Dharma (the teachings and path to enlightenment), and the Sangha (the community of practitioners). The sacred gem rises from a lotus blossom and is flanked by dragons set against a foliate background. The side panels and apron below the detachable topboard are graced with carved and painted auspicious symbols, flowering plants, scrolling foliage, and a lotus petal border.

See David Kamansky, ed., Wooden Wonders: Tibetan Furniture in Secular and Religious Life (Pasadena: Pacific Asia Museum and Chicago: Serindia Publications, 2004), pp. 208-209, no. 33. See also M.2005.94.2a-d.