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Collections

Unknown
Offering Cabinet (Torgam) with Blue Mahakala and Tantric Offerings18th-19th century

On view:
Resnick Pavilion, floor 1
Small painted wooden cabinet on four legs, with two doors decorated in red, black, and gold with large symmetrical mask-like figures, scrolling vines, and skull motifs
Small wooden cabinet on four legs, with two painted doors on a red ground depicting a large wrathful deity face with bulging eyes and fangs, surrounded by scrolling flames, smaller figures above, and a central offering vessel motif; border decorated with repeating dot and lotus patterns in gold, black, and green.
Painted wooden cabinet doors with vivid red ground, depicting two symmetrical wrathful deity faces in dark blue-black with wide staring eyes, bared teeth, and crown of skulls; gold scrollwork, skull cups, and circular medallions throughout.
Artist or Maker
Unknown
Title
Offering Cabinet (Torgam) with Blue Mahakala and Tantric Offerings
Place Made
Tibet
Date Made
18th-19th century
Medium
Wood with mineral pigments, gilding, and gesso; brass fittings
Dimensions
33 x 20 1/4 x 11 1/4 in. (83.82 x 51.44 x 28.58 cm)
Credit Line
Gift of Ruth Hayward, Ph.D. and Robert Hayward, M.D., in honor of Dharmapala (protector of Dharma) Mahakala, through the 2010 Collectors Committee
Accession Number
M.2010.78.3
Classification
Furnishings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This offering cabinet (torgam) would have been used in the Protectors’ Chapel (gonkang) of a Tibetan monastery to protect and conceal consecrated cakes (torma) made of butter and roasted barley flour. They were offered as propitiation to the Buddhist protective deities (Sanskrit: dharmapala; Tibetan: ch’os-skyon), who are believed to defend Buddhism and its teachings and institutions, as well as to destroy the hindrances of its followers. Monks make offerings to the dharmapalas for their aid in overcoming negative forces that prevent enlightenment. Lay Buddhists also worship them to obtain earthly blessings, such as the attainment of wealth or longevity. The decoration of the monastic offering cabinets was associated with wrathful deities, and many were painted with Tantric imagery. The leader of the dharmapala is Mahakala (Sanskrit: Great Time/Death), who is known in Tibetan as nag po chen po (Great Black One). He can be depicted with either black or blue skin color. Mahakala’s frightening face and spiritual anger are thought to overcome obstacles and enemies of Buddhism.

The front of the cabinet is adorned with two mirror-image floating fierce faces of Blue Mahakala. He has a crown of skulls, snarling mouth, and three bulging eyes enabling him to see the past, present, and future. Beneath him are three skull cup offerings filled with human substances. The central skull cup contains eyes, ears, tongue, heart, and other organs. The top is embellished with a jewelry swag and the bottom with scrolling flames or foliage in gold. The doors are set within an architectural border pattern of mini cubes (chötseg). Additional architectural details are painted in the interior. See also M.2005.94.1 and M.2006.62.2.

See David Kamansky, ed., Wooden Wonders: Tibetan Furniture in Secular and Religious Life (Pasadena: Pacific Asia Museum and Chicago: Serindia Publications, 2004), pp. 310-311, no. 129.



Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.
Selected Exhibition History
  • Ritual Offerings in Tibetan Art. Saturday, September 13, 2014 - Sunday, October 25, 2015
  • Ritual Offerings in Tibetan Art. Saturday, September 13, 2014 - Sunday, October 25, 2015