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Collections

Unknown
Trunk with Snow Lionscirca 1475-1650

On view:
Geffen Galleries, Pan-Asian Buddhist Art
Large rectangular wooden storage chest with rust-red painted ground, iron strap reinforcements, and a decorated front panel featuring two green cartouches with painted lion-like figures
Painted wooden chest front in vermilion red with gold and green borders; two lobed medallions on a green ground each contain a painted dragon in teal and gold amid red clouds; iron lock plates and hasp at center.
Artist or Maker
Unknown
Title
Trunk with Snow Lions
Place Made
Tibet
Date Made
circa 1475-1650
Medium
Wood with mineral pigments; metal fittings
Dimensions
29 x 59 x 19 1/4 in. (73.66 x 149.86 x 48.9 cm)
Credit Line
Gift of the 2010 Collectors Committee
Accession Number
M.2010.83.2
Classification
Furnishings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This exceptionally large and high quality painted trunk is adorned with confronting snow lions (Tibetan: gangs seng ge). An ancient legendary creature of Tibet, the snow lion was a powerful guardian symbol of the Imperial Tibetan Empire (618–842) prior to the introduction of Buddhism in Tibet in the 7th century. It is a national emblem of Tibet and in Buddhist belief symbolizes fearless joy and spiritual purity and transformation. See also AC1992.75.1 and M.2006.62.1.

The snow lions are highlighted in lobed cartouches set against a field of interlocking coins or circles with scrolling corner designs. Surrounding this central panel of decoration are several borders, especially a large one embellished with a tortoiseshell pattern. See Dale Carolyn Gluckman, "A Multifaceted Relationship: Textiles and Tibetan Painted Furniture," in David Kamansky, ed., Wooden Wonders: Tibetan Furniture in Secular and Religious Life (Pasadena: Pacific Asia Museum and Chicago: Serindia Publications, 2004), pp. 81-84, figs. 22a and 25a.

The trunk has the standard metal reinforcement fittings on the corners and edges of the trunk, and a hasp latch. Particularly noteworthy are the three prominent escutcheons with medallions and tongues in scrolling designs derived from Central Asian Islamic metalworking.

Along the top of the trunk is a faux overhang replicating the actual overhangs on Tibetan leather trunks (see M.2010.78.10 and M.2010.81.2). The ends of the trunk have plain multicolored borders.

See Kamansky, ed., Wooden Wonders, pp. 246-247, no. 69.