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Collections

Frederick H. Evans
St. Bartholomew-the-Great Church, Tomb of Prior Raherecirca 1895

Not on view
Sepia-toned photograph of a Gothic stone tomb monument with carved effigies and tracery inside a cathedral, with dark wood furniture on the tiled floor below
Artist or Maker
Frederick H. Evans
Title
St. Bartholomew-the-Great Church, Tomb of Prior Rahere
Place Made
England
Date Made
circa 1895
Medium
Platinum print
Dimensions
Image: 4 1/2 × 3 1/2 in. (11.43 × 8.89 cm) Primary support: 4 1/2 × 3 1/2 in. (11.43 × 8.89 cm) Secondary support: 12 9/16 × 9 3/8 in. (31.91 × 23.81 cm) Mat: 16 15/16 × 14 in. (43.02 × 35.56 cm)
Credit Line
The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation, acquired from Carol Vernon and Robert Turbin
Accession Number
M.2008.40.723
Classification
Photographs
Collecting Area
Photography
Curatorial Notes

Frederick H. Evans’s first profession was as a bookseller in London. Around 1890, he began to photograph English and French cathedrals, establishing a reputation with his architectural images and electing to pursue a career in the medium. His photographs of ecclesiastical architecture are both spiritual and precise. He would wait hours for the right light, and he negotiated with the deans of cathedrals to remove modern fixtures in his quest for historical authenticity. He took this photograph in St. Bartholomew the Great, a twelfth-century church and hospital in London’s West Smithfield district. The ornate tomb sculpture, commemorating the church’s founder, Rahere, dates to around 1400. Evans’s choice of the platinum printing process conveys a sense of lustrous stone in a full gamut of warm grays—although, in fact, the tomb sculpture is decorated with multicolored paint. Evans gave up photography after World War I, when platinum became prohibitively expensive.

Britt Salvesen

2024