Antonio de Espinosa
The Twelve Months of the Year, May–June (Los doce meses del año, mayo-junio)second half of the 17th century

Not on view

Oil painting landscape with terraced garden, villa, and river populated by dozens of elegantly dressed figures in bright period dress, with distant hills under a cloudy sky

Oil painting detail showing a group of figures in 17th-century dress gathered outdoors near stone steps. A woman in a red embroidered gown sits centrally beside a basket of flowers, attended by figures holding floral garlands. A man in a black hat kneels at left; additional figures including a child and partially visible draped figure appear at the edges. Warm earth tones with fine brushwork.

Oil painting, detail of an outdoor scene with several figures: a man in blue jacket and wide-brimmed hat plays a lute-like instrument in a crouching stance; a seated figure in dark robes gestures toward him; a standing woman in red and white dress looks on; a small child in striped skirt stands at center; a cloaked figure with hat appears at right. Dark, earthy tones with loose brushwork.

Artist or Maker: Antonio de Espinosa
Mexico, Puebla, active second half of the 17th century
Title: The Twelve Months of the Year, May–June (Los doce meses del año, mayo-junio)
Date Made: second half of the 17th century
Medium: Oil on canvas
Dimensions: Unframed: 31 7/8 × 38 in. (81 × 96.5 cm); framed: 40 1/4 × 46 1/2 × 2 3/8 in. (102.24 × 118.11 × 6.03 cm)
Credit Line: Purchased with funds provided by the Bernard and Edith Lewin Collection of Mexican Art Deaccession Fund
Accession Number: M.2008.30.3
Classification: Paintings
Collecting Area: Latin American Art
Curatorial Notes: This unusual series of paintings (see also https://collections.lacma.org/node/215548" >M.200.2008.30.1, https://collections.lacma.org/node/215549" >M.2008.30.2, https://collections.lacma.org/node/215556" >M.2008.30.4, https://collections.lacma.org/node/215550" >M.2008.30.5, and https://collections.lacma.org/node/215597" >M.2008.30.6) exemplifies the circulation and dynamic adaptation of prints in New Spain. Paintings of the twelve months derived from calendar miniatures in medieval books of hours and were popular in sixteenth- and seventeenth-century Flemish painting. The images depicted labors associated with the times of the year, often alongside zodiac signs to signal the corresponding months.

Antonio de Espinosa deftly combined several sets of Flemish prints, yet he introduced intriguing variants. In the canvas corresponding to May and June foregrounding the leisure activities of the elite, he included local types dressed in the fashion of the day to render their socioracial differences clear and create a more relatable image for his patrons. The strategic addition of these details enabled Espinosa to insert the entire set within the context of New Spain, demonstrating his ability to creatively engage with and reconfigure his source material.

From exhibition Archive of the World, 2022 (for more information see the catalogue entry by Ilona Katzew with Rachel Kaplan in the accompanying publication, cat. nos. 47–52, pp. 226–31)
Provenance: Private collection, United Kingdom, 1982; Sotheby’s, London, April 27, 2006, lot 49; Rafael Vals Gallery, London, 2006; Caylus Anticuario SA, Madrid, 2006; LACMA, 2008.
Selected Bibliography: Katzew, Ilona, ed. Archive of the World: Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection. Exh. Cat. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books/D.A.P., 2022.
Selected Exhibition History: Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 12, 2022 - October 30, 2022
Archive of the World: Art and Imagination in Spanish America, 1500–1800. October 20, 2023 - January 28, 2024
Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 22, 2024 - September 08, 2024

Related Exhibitions

Related Unframed

Antonio de Espinosa
The Twelve Months of the Year, May–June (Los doce meses del año, mayo-junio)second half of the 17th century

Not on view

Artist or Maker: Antonio de Espinosa
Mexico, Puebla, active second half of the 17th century
Title: The Twelve Months of the Year, May–June (Los doce meses del año, mayo-junio)
Date Made: second half of the 17th century
Medium: Oil on canvas
Dimensions: Unframed: 31 7/8 × 38 in. (81 × 96.5 cm); framed: 40 1/4 × 46 1/2 × 2 3/8 in. (102.24 × 118.11 × 6.03 cm)
Credit Line: Purchased with funds provided by the Bernard and Edith Lewin Collection of Mexican Art Deaccession Fund
Accession Number: M.2008.30.3
Classification: Paintings
Collecting Area: Latin American Art
Curatorial Notes: This unusual series of paintings (see also https://collections.lacma.org/node/215548" >M.200.2008.30.1, https://collections.lacma.org/node/215549" >M.2008.30.2, https://collections.lacma.org/node/215556" >M.2008.30.4, https://collections.lacma.org/node/215550" >M.2008.30.5, and https://collections.lacma.org/node/215597" >M.2008.30.6) exemplifies the circulation and dynamic adaptation of prints in New Spain. Paintings of the twelve months derived from calendar miniatures in medieval books of hours and were popular in sixteenth- and seventeenth-century Flemish painting. The images depicted labors associated with the times of the year, often alongside zodiac signs to signal the corresponding months.

Antonio de Espinosa deftly combined several sets of Flemish prints, yet he introduced intriguing variants. In the canvas corresponding to May and June foregrounding the leisure activities of the elite, he included local types dressed in the fashion of the day to render their socioracial differences clear and create a more relatable image for his patrons. The strategic addition of these details enabled Espinosa to insert the entire set within the context of New Spain, demonstrating his ability to creatively engage with and reconfigure his source material.

From exhibition Archive of the World, 2022 (for more information see the catalogue entry by Ilona Katzew with Rachel Kaplan in the accompanying publication, cat. nos. 47–52, pp. 226–31)
Provenance: Private collection, United Kingdom, 1982; Sotheby’s, London, April 27, 2006, lot 49; Rafael Vals Gallery, London, 2006; Caylus Anticuario SA, Madrid, 2006; LACMA, 2008.
Selected Bibliography: Katzew, Ilona, ed. Archive of the World: Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection. Exh. Cat. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books/D.A.P., 2022.
Selected Exhibition History: Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 12, 2022 - October 30, 2022
Archive of the World: Art and Imagination in Spanish America, 1500–1800. October 20, 2023 - January 28, 2024
Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 22, 2024 - September 08, 2024

Related Exhibitions

Related Unframed

A Scavenger Hunt for Families through Archive of the World

October 5, 2022
Rachel Kaplan