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Collections

Shadi Ghadirian
Untitled from the Qajar Series1998

Not on view
Sepia-toned photograph of two figures standing before a large painted mural: one in a polka-dot head covering works on the canvas, while a woman in a black hijab leans on a ladder and looks directly at the camera
Artist or Maker
Shadi Ghadirian
Title
Untitled from the Qajar Series
Date Made
1998
Medium
Gelatin-silver bromide print
Dimensions
Image: 9 9/16 x 6 7/16 in. (24.29 x 16.35 cm); Sheet: 9 15/16 x 7 15/16 in. (25.24 x 20.16 cm)
Credit Line
Purchased with funds provided by the Art of the Middle East Acquisition Fund, Art of the Middle East Deaccession Fund, the Ralph M. Parsons Fund, the Joan Palevsky Bequest by exchange, and Catherine Benkaim, with additional funds provided by Angella and David Nazarian
Accession Number
M.2008.35.27
Classification
Photographs
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes

Inspired by the studio portraiture of the late nineteenth century, Shadi Ghadirian re-created the earlier settings in a set of thirty-three photographs known as the Qajar series. She employed painted backdrops and dressed her models in vintage clothes to emulate the fashion of the day—headscarves and short skirts worn over baggy trousers, and thick, black eyebrows. She added modern-day elements, such as a pair of sunglasses (M.2008.35.1), a Pepsi can (M.2008.35.9), and a single-lens reflex camera (M.2008.35.14) to create ironic imagery that reflects the tension between tradition and modernity in Iranian society.

Selected Bibliography
  • Issa, Rose, ed. Shadi Ghadirian: Iranian Photographer. London: Saqi Books, 2008.
  • Komaroff, Linda. In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art. Los Angeles: Los Angeles County Museum of Art; Munich; New York: DelMonico Books-Prestel, 2018.