- Title
- Pedestal Plate with Supernatural Creature
- Culture
- Greater Coclé
- Date Made
- 1000–1100
- Style
- Conte
- Medium
- Engobe-painted earthenware
- Dimensions
- 4 1/2 x 11 1/4 in. (11.43 x 28.58 cm)
- Accession Number
- M.2007.227.1
- Collecting Area
- Art of the Ancient Americas
- Curatorial Notes
Hooked elements coupled with dynamic color alternation are hallmarks of Panamanian ceramic painting. Body parts do not always connect or keep the same color, and thus rarely create continuous, legible figures. The lively design convolutions seen here seem intended to confuse the image as much as reveal it. Comparison with other artworks of the same region and time period indicates that some of these shapes may reference catfish (see M.2016.348.17 and M.2016.348.23), but the split face and armlike limbs of this creature place it firmly in a supernatural category.
Panamanian pedestal plates with their tall, slim stems were produced by ancient artists in the thousands for burial alongside what we assume were elites of their society. Some scholars relate this vessel form to that of the hallucinogenic mushroom, seeing parallels in the long stems and flaring tops. This would lend support to interpretations of the complex imagery often found on them as being representations of shamanic visions and the result of ritual practices involving hallucinogenic substances.
Julia Burtenshaw
2018/2024
Bibliography
Helms, Mary W. Creations of the Rainbow Serpent: Polychrome Ceramic Designs from Ancient Panama. Albuquerque: University of New Mexico Press, 1995.