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Collections

Carved Box with Deities450–550 CE

Not on view
Large rectangular ceramic vessel with polished dark gray slip and densely carved low-relief Mesoamerican glyphs and figural imagery across two visible exterior faces
Stone stela with incised Maya relief carving on a weathered ochre surface, depicting a standing figure in elaborate regalia and headdress, surrounded by Maya hieroglyphic glyphs and curvilinear decorative elements.
Close-up of a carved jade panel with incised Maya imagery, depicting a large masked or headdressed figure over smaller figures, in mottled green and amber stone.
Stone relief panel with deeply carved Maya figure wearing an elaborate feathered headdress, surrounded by scrolling glyphs and zoomorphic forms; warm brown and ochre tones with traces of pigment.
Stone relief panel with densely carved Maya hieroglyphs and figurative imagery, including faces with elaborate headdresses and scrollwork, arranged in a grid of glyphic blocks with dark pigment remaining in the incised lines.
Stone relief panel with deeply carved Mesoamerican glyphic imagery, featuring a central frontal figure surrounded by scrolls, serpentine curves, and interlocking zoomorphic forms in dark brown stone.
Close-up of a ceramic vessel with incised Maya figural decoration on a brown-orange surface; a profile figure in elaborate headdress and costume is rendered in fine incised lines with traces of white pigment.
Dark ceramic vessel with incised Maya-style figural scene; a seated figure wearing an elaborate headdress holds a bowl, with curvilinear glyphs and decorative elements along the right border, against a brown polished surface.
Close-up interior view of a ceramic vessel with warm ochre and gray tones, showing extensive crazing and cracking across the surface, with faint incised linear and leaf-like markings visible throughout.
Title
Carved Box with Deities
Culture
Maya
Place Made
Guatemala, Northern Petén
Date Made
450–550 CE
Medium
Slip-painted ceramic with post-fire pigment
Dimensions
Overall: 10 3/4 x 17 3/4 x 14 in. (27.31 x 45.09 x 35.56 cm)
Credit Line
Purchased with funds provided by Camilla Chandler Frost through the 2008 Collectors Committee
Accession Number
M.2008.59
Classification
Ceramics
Collecting Area
Art of the Ancient Americas
Curatorial Notes
This ornately decorated box, carved on the front panel and incised on its sides, is a tour de force of Maya ceramic art. The front panel records the last part of a date in the Maya calendar, which can be reconstructed as occurring in the mid-fifth century, and the style of the carving is consistent with that date. The unusual scale of this box suggests that it may have held the valued possessions of an unnamed king, such as royal garments or books, protected within the sealed environment from insects and the humidity of the tropical climate.
The box is adorned with full-figure images of six of the most important supernatural beings from the Maya pantheon. Flanking the glyphic text on the front panel are the deeply carved figures of the serpent-footed K'awiil on the left and the patron of merchants, known simply as God L, on the right. K'awiil, with a smoking ax protruding from his forehead, is the patron of royal lineages. God L, who wears a jaguar-skin cape and large feathered headdress, carries a lance in his left hand and a smoking tube in his right.
Two figures are lightly incised into this panel. On the left, the Principal Bird Deity, patron of the earliest Maya kings, is depicted wearing its mirror necklace and perched in a bowl that holds jade and shell jewels. The adjacent seated figure is relatively unknown, although he wears a hat associated with hunters. He carries a name on his hat describing him as nen winik (mirror man), and oval signs on his body denoting mirrors mark him as a supernatural being. The cushion on which he sits spells out the word pop, or mat, a visual pun.
This panel depicts a pair of siblings, simply referred to as GI and GIII, who were renowned as the divine ancestors of the kings of the dynasty at Palenque. GI, associated with water or the sea, wears a bowl containing sacrificial implements on his head. GIII can be identified as the sun god, K'inich Ajaw, by his attributes, including the flower-shaped k'in hieroglyph on his cheek, which translates as sun or day.
Virginia Fields, Senior Curator Art of the Ancient Americas, 2008
Selected Bibliography
  • O'Neil, Megan E. Forces of Nature: Ancient Maya Arts from the Los Angeles County Museum of Art. Beijing Shi: Wen wu chu ban she, 2018.
Selected Exhibition History
  • The Ancient Maya World: Masterworks from the Permanent Collection. Saturday, December 1, 2012- Sunday, March 2, 2014
  • The Ancient Maya World: Masterworks from the Permanent Collection. Saturday, December 1, 2012- Sunday, March 2, 2014