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© Museum Associates 2026
Collections

Shark Vessel500 BCE–500 CE

On view:
Geffen Galleries, Pacific Connections in the Ancient Americas
Unglazed ceramic vessel with a wide cylindrical base topped by a crouching fanged animal figure with a stirrup spout arching over its back
Ceramic vessel with modeled zoomorphic face featuring circular eyes, serrated open mouth, and lateral projections, set atop a wide cylindrical body; stirrup spout handle rises from the crown; unglazed gray-brown earthenware with hand-modeled surface detail.
Title
Shark Vessel
Culture
Tumaco-La Tolita
Place Made
Colombia and Ecuador, Pacific Coast (Tumaco-La Tolita Tradition)
Date Made
500 BCE–500 CE
Medium
Earthenware
Dimensions
8 × 5 1/2 in. (20.3 × 14 cm)
Credit Line
The Muñoz Kramer Collection, gift of Camilla Chandler Frost and Stephen and Claudia Muñoz-Kramer
Accession Number
M.2007.146.546
Classification
Ceramics
Collecting Area
Art of the Ancient Americas
Curatorial Notes

A grinning mouth full of sharp, triangular teeth indisputably identifies this animal as a shark. Although its iconic back-fin has been reduced to a tiny appendage atop the head and its body altered to fit the needs of the double-spouted vessel form (called an alcarraza), the shark’s attributes remain largely naturalistic. Other examples show sharks wearing headdresses or adornments (see M.2007.146.538) and likely relate to a mythology that is now lost. Alongside farming and fishing the canal-camellón systems constructed throughout their coastal territory, the Tumaco-La Tolita people were reliant on marine resources as a staple food source, but whether they practiced maritime navigation is unknown. Curiously, we know of no representations of seafaring canoes or boats in their material culture.

Today, shark fishing is at the heart of conservation concerns along Colombia’s Pacific coastline. In 2020, President Iván Duque announced a total ban on shark fishing in Colombia’s waters. The move polarized Indigenous communities, artisanal fishers, researchers, and citizens around the world, some hailing Colombia as a shark sanctuary, others decrying the loss of their livelihood. Creative solutions will depend on dialogue with the local communities that have relied on these marine resources for millennia.

Julia Burtenshaw

2024

Selected Bibliography
  • Burtenshaw, Julia, Héctor García Botero, Diana Magaloni, and María Alicia Uribe Villegas. The Portable Universe = El Universo en tus Manos: Thought and Splendor of Indigenous Colombia. Los Angeles: Los Angeles County Museum of Art, 2022.