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© Museum Associates 2026
Collections

Whistle of Masked Figure with Shoulder Bag900–1600 CE

On view:
Geffen Galleries
Small stone sculpture of a standing hybrid human-animal figure covered in dense geometric carved patterns, with rounded animal ears, a wide carved mouth, and a beaded necklace
Stone figure shown from the back, standing upright with arms at sides, covered in densely incised geometric and linear patterns across the headdress, shoulders, torso, and limbs; dark gray stone with weathered surface.
Title
Whistle of Masked Figure with Shoulder Bag
Culture
Tairona
Place Made
Colombia, Tairona
Date Made
900–1600 CE
Medium
Slip-painted earthenware
Dimensions
3 3/4 × 2 3/16 × 1 1/4 in. (9.5 × 5.6 × 3.2 cm)
Credit Line
The Muñoz Kramer Collection, gift of Camilla Chandler Frost and Stephen and Claudia Muñoz-Kramer
Accession Number
M.2007.146.447
Classification
Ceramics
Collecting Area
Art of the Ancient Americas
Curatorial Notes

This tiny clay whistle is one of the masterpieces of the ancient Colombia collection currently stewarded at LACMA. It depicts a standing person, probably male, in an elaborate costume. The details are extraordinary. The face is hidden under a helmet or mask that wraps around the head; the rounded ears and long snout suggest a bear or feline. The figure wears a short cape over the shoulders, a long, patterned skirt, and a necklace and belt, both of which are fastened at the back. One hand holds a club or staff that rests against his shoulder, the other an item that is damaged and thus not identifiable. A bag rests on his right hip, the strap slung diagonally across his body. Both bag and strap bear an uncanny resemblance to the mochilas used by Indigenous peoples of the Sierra Nevada de Santa Marta today.

Made of cotton, wool, or fique (a plant fiber), mochilas are used to carry coca leaves, coca-chewing paraphernalia, and other items (see photograph below). They are made by women for their husbands and nowadays also for sale to tourists—an important source of cash income for many Indigenous communities. The crocheting technique used to produce mochilas is filled with meaning. Each stitch represents a thought, so as a woman weaves a mochila, she is also weaving her thoughts. The designs convey ancestral knowledge, history, and the Arhuaco people’s connection to nature and the cosmos. Like other items conscientiously made and used by Amerindian peoples in the past or present, mochilas are not just objects; they are a way of transmitting knowledge and culture from one generation to the next.

This whistle figurine, containing the essence of ancestral beings—and perhaps, with its sound, a way to communicate with them—may have played, and can continue to play, a similar role. (See also M.2007.146.10 and M.2007.146.462.)

Julia Burtenshaw

2025

Arhuaco elders with their mochilas. Photo courtesy of Jota Arango, 2018

Selected Bibliography

Burtenshaw, Julia, Diana Magaloni, Maria Alicia Uribe, and Hector Garcia Botero, eds. The Portable Universe/El Universo en tus Manos: Thought and Splendor of Indigenous Colombia. LACMA/DelMonico Prestel, 2022.

Unpacking the Universe: The Making of an Exhibition, Los Angeles County Museum of Art, 2022, https://www.youtube.com/playlist?list=PLJy-HLfC3xxCue9_kM1GRNcnPEaNvi_aW.