LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Ocarina of Seated Chief with Extended Tongue900–1600 CE

On view:
Geffen Galleries
Ceramic pre-Columbian vessel with molded frontal figure wearing an elaborate headdress, flanked by symmetrical serpentine scroll forms, in gray-tan clay
Ceramic vessel with rounded lower body and a broad, rounded upper form flanked by two lateral projections with notched ends; a small rectangular opening at center; dark gray-brown unglazed surface with mottled weathering.
Title
Ocarina of Seated Chief with Extended Tongue
Culture
Tairona
Place Made
Colombia, Tairona
Date Made
900–1600 CE
Medium
Slip-painted earthenware
Dimensions
3 1/2 × 3 3/8 × 1 3/4 in. (8.9 × 8.6 × 4.5 cm)
Credit Line
The Muñoz Kramer Collection, gift of Jorge G. and Nelly de Muñoz and Camilla Chandler Frost
Accession Number
M.2007.146.448
Classification
Ceramics
Collecting Area
Art of the Ancient Americas
Curatorial Notes

This ocarina shows a figure centrally seated on what might be a throne formed by serpents or crocodilian heads. Although anthropomorphic in body, the enormous extended tongue indicates a spiritual or supernatural element. The gesture is found on other, more explicitly transformed ocarina figures and may signal serpent characteristics (see M.2007.146.10). In Indigenous Colombia, rulers and religious leaders are responsible for managing interactions and relationships that sustain life—with the earth, other people, plant and animal communities, weather phenomena, and supernatural beings. This can require transformation or the acquisition of animal traits. Furthermore, the leader is positioned at the very center of the universe, an axis mundi who maintains balance. As explained by Arhuaco elder Mamo Camilo, “In creation there are energies of all kinds; good, bad, neutral. Energetic power is to bring order.”

This is a functional musical instrument with the mouthpiece at the top of the enormous headdress and two finger holes on each side for changing the pitch. The decoration is limited to the front, incised with the finest of lines that are additionally filled with a whitish pigment to illustrate the figure’s elaborate clothing, earspools, and headdress. (See also M.2007.146.445, .447, .452, .462, .466, and .469.)

Julia Burtenshaw

2025

Selected Bibliography
  • Burtenshaw, Julia, Héctor García Botero, Diana Magaloni, and María Alicia Uribe Villegas. The Portable Universe = El Universo en tus Manos: Thought and Splendor of Indigenous Colombia. Los Angeles: Los Angeles County Museum of Art, 2022.