Pablo Picasso
The Women of Algiers, after Delacroix (Variation D)1955

On view:

Broad Contemporary Art Museum, floor 3

Oil painting with multiple abstracted, Cubist-style nude figures in black outline against fragmented planes of white, green, orange, and gray

Artist or Maker: Pablo Picasso
Spain, 1881-1973, active France
Title: The Women of Algiers, after Delacroix (Variation D)
Place Made: France
Date Made: 1955
Medium: Oil on canvas
Dimensions: 18 1/8 × 21 1/8 in. (46.04 × 53.66 cm)
Credit Line: Partial, fractional and promised gift of Janice and Henri Lazarof
Accession Number: M.2005.70.109
Classification: Paintings
Collecting Area: Modern Art
Curatorial Notes: Picasso’s Women of Algiers, painted shortly after the Algerian War of Independence began, draws its inspiration from work by artists Eugène Delacroix (1798–1863) and Henri Matisse (1869–1954). Picasso, who had studied Delacroix’s Women of Algiers in Their Apartment (1834) in the Louvre and was aware of Matisse’s portraits of French women in Moroccan dress, began a series of fifteen Women of Algiers paintings in 1954, of which this is the fourth. The dense and layered composition is based on Delacroix’s painting, and the seated, bare-breasted woman (probably Picasso’s new lover, Jacqueline Roque) with striped pantaloons was a direct quotation from Matisse’s portraits. Scenes such as these objectifying women and depicting them in what were deemed exotic settings reflect how Western artists of the nineteenth and early twentieth centuries engaged with North African culture through a colonialist lens.

Wall label, 2021.
Provenance: Studio of the artist (1881-1973); [Galerie Louise Leiris, Paris]; sold in 1956 to Victor Ganz (1913-1987), New York; [Paul Rosenberg & Co., New York, inv. no. 1340]; [sold March 1969 to Richard Feigen Gallery, New York]; [Galerie Rosengart, Lucerne]; sold in 1997 to Janice and Henri Lazarof, Los Angeles; given in 2005 to LACMA.
Selected Bibliography: Zervos, Christian. Pablo Picasso. Paris: Cahiers d'art.
Barron, Stephanie. Envisioning Modernism: The Janice and Henri Lazarof Collection. Los Angeles: Los Angeles County Museum of Art; Munich; New York: DelMonico Books-Prestel, 2012.
Copyright: © Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Pablo Picasso
The Women of Algiers, after Delacroix (Variation D)1955

On view:

Broad Contemporary Art Museum, floor 3

Artist or Maker: Pablo Picasso
Spain, 1881-1973, active France
Title: The Women of Algiers, after Delacroix (Variation D)
Place Made: France
Date Made: 1955
Medium: Oil on canvas
Dimensions: 18 1/8 × 21 1/8 in. (46.04 × 53.66 cm)
Credit Line: Partial, fractional and promised gift of Janice and Henri Lazarof
Accession Number: M.2005.70.109
Classification: Paintings
Collecting Area: Modern Art
Curatorial Notes: Picasso’s Women of Algiers, painted shortly after the Algerian War of Independence began, draws its inspiration from work by artists Eugène Delacroix (1798–1863) and Henri Matisse (1869–1954). Picasso, who had studied Delacroix’s Women of Algiers in Their Apartment (1834) in the Louvre and was aware of Matisse’s portraits of French women in Moroccan dress, began a series of fifteen Women of Algiers paintings in 1954, of which this is the fourth. The dense and layered composition is based on Delacroix’s painting, and the seated, bare-breasted woman (probably Picasso’s new lover, Jacqueline Roque) with striped pantaloons was a direct quotation from Matisse’s portraits. Scenes such as these objectifying women and depicting them in what were deemed exotic settings reflect how Western artists of the nineteenth and early twentieth centuries engaged with North African culture through a colonialist lens.

Wall label, 2021.
Provenance: Studio of the artist (1881-1973); [Galerie Louise Leiris, Paris]; sold in 1956 to Victor Ganz (1913-1987), New York; [Paul Rosenberg & Co., New York, inv. no. 1340]; [sold March 1969 to Richard Feigen Gallery, New York]; [Galerie Rosengart, Lucerne]; sold in 1997 to Janice and Henri Lazarof, Los Angeles; given in 2005 to LACMA.
Selected Bibliography: Zervos, Christian. Pablo Picasso. Paris: Cahiers d'art.
Barron, Stephanie. Envisioning Modernism: The Janice and Henri Lazarof Collection. Los Angeles: Los Angeles County Museum of Art; Munich; New York: DelMonico Books-Prestel, 2012.