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Collections

Unknown
Trunk with Kati Rimo (Brocade) Designcirca 1550-1650

On view:
Geffen Galleries, Pan-Asian Buddhist Art
Rectangular storage chest with coral-red lacquered or painted border and a central front panel decorated with an allover geometric pattern of interlocking octagons and medallions in olive green, red, and turquoise, with dark metal corner straps and ornate clasp fittings
Rectangular storage chest with red-orange lacquered borders and teal-green patterned fabric panels on the lid and sides, fitted with metal corner brackets and a circular ring pull handle at center.
Rectangular storage chest covered in red and teal-green patterned textile, reinforced with metal corner brackets and hinges, with a central ring pull on the front panel.
Rectangular wooden storage chest with heavily worn dark brown and red lacquered surface, reinforced with decorative metal corner fittings, edge straps, and two circular latch hardware pieces on the front panel.
Artist or Maker
Unknown
Title
Trunk with Kati Rimo (Brocade) Design
Place Made
Tibet
Date Made
circa 1550-1650
Medium
Wood with mineral pigments on cloth; metal fittings
Dimensions
18 x 31 x 15 in. (45.72 x 78.74 x 38.1 cm)
Credit Line
Gift of Ruth Sutherlin Hayward and Robert W. Hayward in Honor of the 18th Birthday (April 25, 2007) of the 11th Panchen Lama, Gendun Choekyi Nyima
Accession Number
M.2006.156.1
Classification
Furnishings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The painted decoration on the exterior of Tibetan furniture is often determined by the intended function of the particular piece of furniture. For example, the painted renditions of intricate textile designs found on some trunks suggests that they were used to store luxury textiles imported from China, India, and Europe. One of the most important textile designs is a latticework motif called kati rimo (brocade), which can be traced back to the Mongol culture of the Yuan Dynasty in China (1279-1368) and even earlier in the western Islamic world. This exquisite trunk is embellished with painted kati rimo designs on the front and puffy cloud panels on the top and ends that derive from Ming Dynasty (1368-1644) cloud-patterned damask textiles (see M.86.404). It has been fitted with extensive metal fittings and handles. See also M.2006.156.3a-b and M.2013.183.1.

See Dale Carolyn Gluckman, "A Multifaceted Relationship: Textiles and Tibetan Painted Furniture," in David Kamansky, ed., Wooden Wonders: Tibetan Furniture in Secular and Religious Life (Pasadena: Pacific Asia Museum and Chicago: Serindia Publications, 2004), pp. 77-79 and p. 256, no. 77.

Selected Bibliography
  • Kamansky, David, ed. Wooden Wonders: Tibetan Furniture in Secular and Religious Life. Chicago: Serindia Publications, Inc., 2004.
Selected Exhibition History
  • Ritual Offerings in Tibetan Art. Saturday, September 13, 2014 - Sunday, October 25, 2015
  • Ritual Offerings in Tibetan Art. Saturday, September 13, 2014 - Sunday, October 25, 2015