Jasper Johns

Within2006

“I make art to remember”: Cayetano Ferrer on “Object Prosthetics”

“This is just an illusion”: Christina Quarles on “Now We’re There (And We’ Only Just Begun)”

Discover LACMA’s New Architectural Landmark at These Free Workshops with AIA Los Angeles

New Acquisition: Alejandro Otero’s “Tablón 32”

50 Works 50 Weeks: Francis Bacon’s “Three Studies of Lucian Freud”

In Memoriam: Melvin Edwards (1937–2026)

All things can be true: Tavares Strachan and Diana Nawi in Conversation

50 Works 50 Weeks: Sarah Rosalena’s “Threading the Infinite: Omnidirectional Terrain”

New Acquisition: 90 Works by Ardeshir Mohassess

50 Works 50 Weeks: Lisa Reihana’s “Dancing Bride”

Exhibitions to See in 2026

Diffuse Control by Beeple Iteration: Matrix Residua

Diffuse Control by Beeple Iteration: Future Past

Digital Art Conversations in Miami Beach: A Look Back at LACMA’s Second Annual Gathering

The 2025 LACMA Holiday Gift Guide

An Appreciation: Frank O. Gehry (1929–2025)

LACMA and Genesis Embark on New Multi-Year Partnership

This Week at LACMA

Explore Ecology and Extraction at a Performance and Screening of “S̶t̶r̶a̶y̶ D̶o̶g̶ Hydrophobia”

50 Works 50 Weeks: The Hope Athena

Frances Stark’s Way of Seeing

Installing “Octavia’s Gaze” with Todd Gray

50 Works 50 Weeks: George Bellows’s “Cliff Dwellers”

50 Works 50 Weeks: Carlos Almaraz’s “Crash in Phthalo Green”