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Collections

Footed Bowl with Pairs of Monkeys and Star Motifs1000–1300

On view:
Geffen Galleries
Ceramic bowl viewed from above, dark brown slip interior decorated with cream and terracotta geometric lattice patterns and paired stylized figural motifs
Title
Footed Bowl with Pairs of Monkeys and Star Motifs
Culture
Nariño or Carchi
Place Made
Colombia, Nariño Highlands
Date Made
1000–1300
Style
Piartal
Medium
Earthenware with resist-painted slip
Dimensions
H: 3 1/2 in. (8.9 cm); D: 8 1/16 in. (20.5 cm)
Credit Line
The Muñoz Kramer Collection, gift of Camilla Chandler Frost and Stephen and Claudia Muñoz-Kramer
Accession Number
M.2007.146.4
Classification
Ceramics
Collecting Area
Art of the Ancient Americas
Curatorial Notes

Painted using a resist technique, the design on this bowl features two pairs of monkeys flanking three starlike shapes arranged in a straight line. The design likely represents the constellation Orion, an interpretation based on a myth told by the Miraña people, a contemporary Indigenous group in Colombia. The four main stars of Orion form a trapezoid, bisected by three aligned stars called the “belt” (pictured below). The myth follows the exploits of four night monkeys, including their final resting place atop the four corner posts of the communal meeting house. Crucially, the narrative and its characters parallel the real movements of Orion across the night sky in relation to the sun, moon, and Venus at a particular time of the year.

The myth recounts the story of the Miraña hero Blowgun Shooter (symbolized by the Moon), who married Kinkajou (Venus, the Morning Star) and fathered their sole child. Kinkajou’s brothers, four Night Monkeys (associated with the stars of the Orion constellation), became jealous of Blowgun Shooter and decapitated him, then hid on the four central poles of the maloca (communal house). When Blowgun Shooter’s son came of age, he (as the Sun) avenged his father’s death by slaying his four uncles and placing their skulls on top of the maloca houseposts, where they turned into the four main stars of Orion.

If our interpretation is correct, this bowl depicts characters of a myth and creates a direct parallel between monkeys (with their reflective eyes at night) and stars, the communal house and the cosmos. Furthermore, it is a way of recording and remembering a recurring astronomical event related to seasonal cycles.

Thermoluminscence testing of a sample drilled from the foot of the bowl confirmed that it was made between 1000 and 1300.

Julia Burtenshaw

2022

Selected Bibliography

Karadimas, Dimitri. “Monos y Estrellas entre el Amazonas y los Andes: Interpretación Etno-arqueoastronómica de los motivos de Carchí-Capulí (Colombia-Ecuador).” Amazonia Peruana (Lima) 27 (2000): 145–92.

Constellation of Orion

will need R&R confirmation

Selected Bibliography
  • Fields, Virginia M., and Victoria Lyall. "New Galleries for the Ancient Americas at LACMA." Tribal Art no.50 (2008): 74-79.
  • Burtenshaw, Julia, Héctor García Botero, Diana Magaloni, and María Alicia Uribe Villegas. The Portable Universe = El Universo en tus Manos: Thought and Splendor of Indigenous Colombia. Los Angeles: Los Angeles County Museum of Art, 2022.