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Collections

Anthonie Van Borssom
Panoramic Landscape near Rhenen with the Huis ter Ledecirca 1668

On view:
Geffen Galleries
Oil painting panoramic landscape with flat river plains, grazing cattle at water's edge, a lone figure, distant church spire and ruins under a cloudy sky
Artist or Maker
Anthonie Van Borssom
Northern Netherlands, circa 1630-1677
Title
Panoramic Landscape near Rhenen with the Huis ter Lede
Date Made
circa 1668
Medium
Oil on canvas
Dimensions
Canvas: 20 1/4 × 26 in. (51.44 × 66.04 cm) Framed: 27 × 32 × 2 in. (68.58 × 81.28 × 5.08 cm)
Credit Line
Gift of Mr. and Mrs. Edward William Carter
Accession Number
M.2009.106.2
Classification
Paintings
Collecting Area
European Painting and Sculpture
Curatorial Notes

Anthonie van Borssom’s expansive panorama looks out over a glistening section of the lower Rhine River toward the town of Rhenen and the castle Huis ter Lede. Also called Huis ter Lynden, the castle was owned by the counts of Waldeck-Pyrmont and Culemborg, and appeared in contemporaneous prints. This bucolic portrait of a place celebrates the Dutch landscape: agricultural lands for grazing cows and rivers to transport goods and people. Views such as this were popular on the art market. The elevated vantage point maximized the scenery, and artists sometimes invented this type of vista even when it was geographically impossible, as in Philips Konnick’s Panoramic Landscape with a Village (M.2009.106.9). Van Borssom, however, almost certainly generated this scene from a well-known scenic point on the top of Grebbeberg, a tall hill above the Rhine. This plateau, called the Koningstafel (“King’s Table”), was a favorite hunting ground of Frederick V (the exiled Calvinist elector Palatine and former king of Bohemia) and a popular leisure destination for ordinary Dutch, as captured by various artists, including Van Borssom (Metropolitan Museum of Art, 2005.418.5).

Provenance

Dutch art market, sold ca. 1914 to; Michiel Maximiliaan van Valkenburg (1866–1950),(1) Huis Ross, Lochem, Laren (as by Adriaen van de Velde), sold 1944 to; [Goudstikker/Miedl, Amsterdam, taken by Alois Miedl (1903–1990) to Bilbao, Spain, recovered in his possession in Bilbao, 1945, and returned to]; Michiel Maximiliaan van Valkenburg;(2) [G. Cramer, The Hague, by 1970, sold 1971 as by Anthonie van Borssom to]; Mr. and Mrs. Edward William Carter, Los Angeles, given 2009 to; LACMA.

Footnote

(1) Michiel Maximiliaan van Valkenburg was a lawyer in Rotterdam. Following his death in 1950, a sale of his collection was held by Nijstad, Lochem, on 29–30 May 1951. The Carter painting was not included in the sale.

(2) Archive of the Netherlands Art Property Foundation (Stichting Nederlandisch Kunstbezit, SNK), The Hague, Aangifte-formulier, no. 3531, dated 1 December 1945. Alois Miedl was the Nazi banker who purchased the Goudstikker firm in Amsterdam after Jacques Goudstikker fled the Netherlands and then died in 1940. Miedl sold approximately six hundred paintings to Hermann Goring (1893–1946). In a letter from Cramer to Carter dated 27 May 1971 (Hans Cramer Records, Box 110, Folder 4, Getty Research Institute), Cramer notes, "The picture came from the Miedl estate and I bought it in Germany." Cramer’s exact source for the picture is not known.

Selected Bibliography
  • Walsh, Jr., John., and Cynthis P. Schneider. A Mirror of Nature: Dutch Paintings from the Collection of Mr. and Mrs. Edward William Carter (Second Edition). Los Angeles: Los Angeles County Museum of Art, 1992.

  • Walsh, Amy L. The Mr. and Mrs. Edward Carter Collection of Dutch Paintings. Los Angeles: Los Angeles County Museum of Art, 2019. https://archive.org/details/Carter_Collection_Dutch_Paintings (accessed May 23, 2022).