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Collections

Willem van de Velde II
A Yacht and Other Vessels in a Calm1671

On view:
Geffen Galleries
Oil painting of multiple sailing vessels on calm water under a cloudy sky, with an ornately gilded barge at left flying Dutch colors and a large white-sailed ship at center
Oil painting of a nocturnal seascape in near-total darkness, with dark charcoal and black tones dominating; pale grey-white highlights suggest breaking waves in the foreground, with loose horizontal brushwork throughout and visible cracking and surface wear.
Oil painting of a harbor scene with a large wooden fishing vessel in the foreground, draped with a billowing red sail; two figures work on deck while multiple sailboats recede into a gray, misty background; visible craquelure throughout.
Artist or Maker
Willem van de Velde II
Northern Netherlands, 1633-1707
Title
A Yacht and Other Vessels in a Calm
Date Made
1671
Medium
Oil on canvas
Dimensions
Canvas: 13 1/8 × 17 1/8 in. (33.34 × 43.5 cm) Framed: 20 × 25 × 2 1/2 in. (50.8 × 63.5 × 6.35 cm)
Credit Line
Gift of Mr. and Mrs. Edward William Carter
Accession Number
M.2009.106.17
Classification
Paintings
Collecting Area
European Painting and Sculpture
Curatorial Notes

Willem van de Velde II, along with his father, brothers, and son, operated a workshop in which they produced vast numbers of paintings depicting different combinations of ships in a variety of weather conditions. The omnipresence of such maritime imagery in the Netherlands during the seventeenth century is a testament to the Dutch Republic’s pride in its seafaring capabilities. This canvas exemplifies the popular subgenre of ships resting in a calm. Through its balanced composition, its atmospheric lighting, and the stillness of the ships, the picture conveys an air of tranquility. The large vessel at left is a yacht bearing Dutch tricolor flags, the arms of the province of Zeeland, and a Dutch East India Company seal. Yachts were frequently included among the fleets of Dutch trading companies. Their small size allowed them to enter rivers and more quickly navigate the windy waters off the coast of Southeast Asia. They were also frequently outfitted with firearms and cannons, which were used to wage war, for example against Indigenous people in India and Indonesia. The Dutch East India Company used these small ships for raids on inland villages, in which officers procured people from local rulers.

Dutch artists often produced much more dramatic visual depictions of seafaring than the one seen here. Paintings, prints, and tapestries show Dutch East India Company ships exchanging fire with Spanish ships and include explosions with debris and bodies scattered in the air. As with much of the maritime imagery that was consumed and circulated in the Dutch Republic, the subgenre of ships on calm waters erases the violent uses of these vessels, instead presenting a positive and palatable image of the company’s fleet.

2024

Provenance

Possibly Despeniel, Paris, 1765;(1) [Frederic] Kalkbrenner (1785–1849),(2) sold Paris, 1835, for 5,500 francs to;(3) [Christianus Johannes Nieuwenhuys, Brussels and London, sold by 1836 to]; Joseph Barchard, London, by inheritance to;(4) Francis Barchard (d. 1856), Horsted Place, Uckfield, Sussex, by inheritance to his son; Elphinstone Barchard (1827– 1893), by inheritance to his greatnephew; (5) Francis Barchard (d. ca. 1932), Horsted Place, Uckfield, Sussex, by inheritance to his wife; Maud Barchard,(6) Horsted Place, Uckfield, Sussex (sale, London, Sotheby’s, 2 July 1958, lot 35, sold for £2,100 to); [Edward Speelman, Ltd., London, sold Nov. 1958 to]; [Kleinberger & Co., New York, sold 1959 to]; Mr. and Mrs. Edward William Carter, Los Angeles, given 2009 to; LACMA.

Footnotes

(1) According to Kleinberger. Michael Robinson says there is no evidence for this.

(2) The musician Frederic Wilhelm Michael Kalkbrenner also owned Jacob van Ruisdael’s Extensive Landscape with a Ruined Castle and a Village Church (private collection, New York), Slive 2001a, no. 56. An estate sale of Frederic Kalkbrenner’s collection of thirty old master paintings was held in Paris by Laneuville on 14 January 1850.

(3) According to M. Robinson 1990, vol. 1, p. 364, referring to Smith 1829–42. The sale is unrecorded.

(4) The entry for the painting in the 1958 sale catalogue incorrectly states that the painting was "From the Collection of Joseph Bernhard," rather than Joseph Barchard. According to an annotation made by Ellis K. Waterhouse on p. 16 of the Getty Research Institute’s copy of the 2 July 1958 sale, "Mainly bt. by Joseph Barchard, a client of Nieuwenhuys at the beginning of the 19th century. He bequeathed them to Francis Barchard, thence to Elphinstone Barchard, great uncle of [?] Francis Barchard whose widow is the vendor [Mrs. Maud Barchard]. (He died ca. 1932.)" It was apparently the elder Francis Barchard who lent the painting to the Royal Academy of Arts, London, in 1875. According to Mireur 1911–12 (2001), vol. 7, p. 312, in 1828 (sale not identifiable) J[oseph] Barchard sold another painting, Un calme, which had been in the sale of the duc de Choiseul in 1772 and described by Mireur, p. 311, as "Un calme. Vers la droite, un vaisseau navigue sous des oiles de misaine et de hune; une barque est a gauche et plus loin, au fond, on apercoit deux fregates, un sloop et quelques batiments. Bois (23.6 × 27.9)."

(5) The painting and property may have first passed to Elphinstone Barchard’s son Edmund Elphinstone Barchard (1874–1915), who died on the RMS Lusitania in 1915. Edmund was a British citizen who was living in Columbus, Ohio, with his wife at the time of his death.

(6) Her only son, Lt. Cmdr. Francis Barchard, died in action during World War II, 25 November 1941.

Selected Bibliography
  • Walsh, Jr., John., and Cynthis P. Schneider. A Mirror of Nature: Dutch Paintings from the Collection of Mr. and Mrs. Edward William Carter (Second Edition). Los Angeles: Los Angeles County Museum of Art, 1992.

  • Robinson, M.S. Van de Velde: a Catalogue of the Paintings of the Elder and the Younger Willem van de Velde. Greenwich: National Maritime Museum, 1990.
  • Beer, Gerlinde de. The Golden Age of Dutch Marine Painting: The Inder Rieden Collection. Vol. 3. Leiden: Primavera Pres, 2019.
  • King, Jennifer, ed. Vera Lutter: Museum in the Camera. Los Angeles: Los Angeles County Museum of Art; Munich: DelMonico Books-Prestel, 2020.

  • Walsh, Amy L. The Mr. and Mrs. Edward Carter Collection of Dutch Paintings. Los Angeles: Los Angeles County Museum of Art, 2019. https://archive.org/details/Carter_Collection_Dutch_Paintings (accessed May 23, 2022).
  • Zumaya, Diva. The World Made Wondrous: the Dutch Collector's Cabinet and the Politics of Possession. Los Angeles: Los Angeles County Museum of Art, 2023.