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Collections

Unknown
Parvati Receives Shumbha’s Messenger, Folio from a Devimahatmya (Glory of the Goddess)circa 1820-1830

Not on view
Indian manuscript painting, three figures in a hilly landscape: a woman in blue and red faces two animal-headed figures, one deer-headed and one jackal-headed, connected by a long diagonal staff, with mountains and decorative border
Artist or Maker
Unknown
Title
Parvati Receives Shumbha’s Messenger, Folio from a Devimahatmya (Glory of the Goddess)
Culture
South Asia
Place Made
India, Himachal Pradesh, Kangra
Date Made
circa 1820-1830
Medium
Opaque watercolor and gold on paper
Dimensions
Image (Image): 6 3/4 x 10 1/8 in. (17.145 x 25.7175 cm) Sheet (Sheet): 9 3/4 x 13 1/8 in. (24.765 x 33.3375 cm) Frame: 14 × 19 in. (35.56 × 48.26 cm)
Credit Line
Gift of the Joseph B. and Ann S. Koepfli Trust in honor of Dr. Pratapaditya Pal
Accession Number
M.2011.156.1
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Dating from circa 550 CE, the Devimahatmya (Glory of the Goddess) is a devotional text of 700 Sanskrit verses that extol the Goddess (Devi) as the supreme power and creator of the universe. The verses were interpolations to the earlier Markandeya Purana dating from circa 250 CE and then extracted as a stand-alone text.

This painting illustrates Chapter 5 of the Devimahatmya in which the powerful demon Shumbha has sent a demonic messenger, Sugriva, to invite Parvati to marry him. Parvati informed the messenger that, by her personal vow, she could not marry anyone who did conquer her in battle. Shumbha and his demonic brother Nishumbha then futilely attacked the goddess with their armies and were defeated. Here, in a mountainous landscape Parvati sits engaged in conversation with Shumbha’s messenger. Parvati is richly adorned with strands of pearls and gold jewelry with pearls and emeralds. She is two-armed and carries none of her customary iconographic attributes, but on her forehead has horizontal sectarian markings indicating her religious affiliation with Shiva. On the right side of the painting, utilizing the technique of continuous narration, the messenger leaves to report back to Shumbha. See also M.77.118 and AC1999.127.21.