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Collections

Alfredo Zalce
Camp Follower (La soldadera)1947

Not on view
Black woodcut or linocut on orange paper; a woman kneels over a fallen man on the ground beside stacked rifles, with a steam locomotive in the background
Artist or Maker
Alfredo Zalce
Mexico, Michoacán, Pátzcuaro, 1908-2003
Title
Camp Follower (La soldadera)
Date Made
1947
Medium
Linocut
Dimensions
Sheet: 10 5/8 × 15 3/4 in. (26.99 × 40.01 cm); image: 8 1/4 × 12 3/16 in. (20.96 × 30.96 cm)
Credit Line
Gift of Jules and Gloria Heller
Accession Number
M.2003.92.112
Classification
Prints
Collecting Area
Latin American Art
Curatorial Notes

Women were active participants in the Mexican Revolution. Lower-class women, especially, filled various roles—such as soldiers, nurses, and cooks—and provided care and supplies to the troops. Such women were known by several names including soldaderas (female soldiers), camp followers, and Adelitas. Popularized through corridos (ballads) and photographs, the Adelita archetype became an allegorical and romanticized icon of the revolution. In this image, Alfredo Zalce honors the soldadera and alludes to her many roles. Here, she tends to the head wound of an injured soldier next to two rifles, one of which may be hers.



For more information see the catalogue entry by Rachel Kaplan in Pressing Politics: Revolutionary Graphics from Mexico and Germany, 2022, pp. 44–45.

Provenance
Taller de Gráfica Popular, Mexico City, 1947; Dr. Jules Heller (1919–2007), Scottsdale, Arizona, 1947; LACMA, 2003.
Selected Bibliography
  • Kaplan, Rachel, and Erin Sullivan Maynes. Pressing Politics: Revolutionary Graphics from Mexico and Germany. Los Angeles: Los Angeles County Museum of Art, 2022.
Selected Exhibition History
  • Pressing Politics: Revolutionary Graphics from Mexico and Germany. October 29, 2022 - July 22, 2023
  • Pressing Politics: Revolutionary Graphics from Mexico and Germany. October 29, 2022 - July 22, 2023