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Collections

Unknown
Ritual Tray with a Nereid (Sea Nymph) and a Cherub Riding the Sea Monster Keto1st century BCE

Not on view
Circular dark green stone disk with high-relief carving of a seated female figure flanked by a winged child and sea creatures, with a stylized floral motif at the base
Artist or Maker
Unknown
Title
Ritual Tray with a Nereid (Sea Nymph) and a Cherub Riding the Sea Monster Keto
Place Made
Pakistan, Taxila area (?), Gandhara region
Date Made
1st century BCE
Medium
Black chloritic schist
Dimensions
Height: 3/4 in. (1.91 cm); Diameter: 4 7/8 in. (12.38 cm)
Credit Line
Purchased with funds provided by the South and Southeast Asian Acquisition Fund and the Southern Asian Art Council
Accession Number
M.2003.70
Classification
Furnishings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This ritual tray depicts a Greek mythological scene frequently portrayed in Western Classical art. A Nereid (sea nymph) elegantly garbed in a chiton rides the sea monster Keto with a dragon’s head and serpentine tail. The sea monster turns its head back towards the Nereid to receive a drink, oblation, or unguents from the bowl she holds. An adoring cherub stands behind her.

The original function of South Asian ritual trays remains a matter of scholarly debate. When many of the extant trays were first excavated in Taxila by Sir John Marshall in 1913–1934, they were identified as toilet trays or cosmetic palettes because most of the Kushan period (1st–3rd centuries CE) trays are divided into small compartments. This hypothesis has been questioned because none contains cosmetic remnants. A more recent interpretation is that they are cultic objects whose Classical imagery was adapted to symbolize the spiritual journey of Buddhist practitioners’ rebirth and apotheosis into the Buddhist celestial paradise of Sukhavati. This is supported by the prevalence of Dionysiac couples having paradisiacal associations. By the Kushan period, trays typically featured Buddhist and pan-South Asian imagery. The Gandharan ritual trays are thus significant for demonstrating how Classical figurative subjects were initially copied from foreign prototypes in South Asia and then supplanted by indigenous imagery. See also M.85.224.2, M.85.224.4, and M.85.281.

A comparable tray with similar iconography is in the Ashmolean Museum, University of Oxford (EA1996.82).