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Collections

Unknown
Shivalingalate 4th century

Not on view
Carved stone head sculpture, reddish-brown sandstone, facing forward with closed eyes, full lips, and a ridged topknot, mounted on a cylindrical display stand
Fragmentary red sandstone head with carved ridged hair swept upward into a topknot, serene facial features with downcast eyes, full lips, and a small circular mark on the forehead; weathered surface with visible tool marks.
Carved red sandstone head with a tall ribbed chignon, serene facial features, downcast eyes, and a third eye mark on the forehead, mounted on a dark display stand.
Sandstone sculptural head with a tall ribbed ushnisha, a small mark on the forehead, and finely carved facial features including arched brows and full lips; weathered pinkish-tan surface.
Artist or Maker
Unknown
Title
Shivalinga
Place Made
India, Uttar Pradesh, Mathura
Date Made
late 4th century
Medium
Mottled red sandstone
Dimensions
12 x 5 1/2 x 8 1/2 in. (30.48 x 13.97 x 21.59 cm)
Credit Line
Gift of Harry and Yvonne Lenart
Accession Number
M.2010.131
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes
Since around the beginning of the Common Era, the Shivalinga (literally, the “sign” of Shiva) has been the quintessential symbol and artistic form used to represent the major Hindu god Shiva. In its core conception imagined as an aniconic column, the Shivalinga symbolizes the deity’s transcendental nature and primordial potency. As iconic imagery became increasingly prevalent in South Asian art, the Shivalinga was anthropomorphized by the addition of Shiva’s head emerging from the stone column in order to provide worshippers with a physical form that was considered more accessible than the abstract expression of his imperceptible reality. Multiple heads of Shiva were subsequently added to represent different philosophical aspects of the god. To seek blessings from Shiva, devotees worship lingas with ritual offerings of flowers, food, and incense. The deity’s large eyes and welcoming gaze are thought to help worshippers establish a personal spiritual bond, thus strengthening the power of their offering. Shiva’s third eye, the eye of wisdom, is depicted vertically on his forehead. His long braided hair is arranged in an ascetic’s hairstyle. He has a mustache, which is a frequent feature of Shivalingas, especially early ones. For two 17th-century Maharashtrian mustachioed Shivalingas, see M.77.6.1a-b and M.84.228.4.