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Collections

Thomas Daniell
Gate of a Mosque, built by Hafez Ramut, at Pillibeat [Pilibhit] from 'Oriental Scenery, Quarto Prints'May 1, 1813

Not on view
Sepia aquatint or engraving of a large mosque gateway with minarets and arched facade, with figures and a bullock cart in the foreground
Printed text page with cream-colored background, featuring a title heading and three paragraphs of descriptive text in serif typeface, with aged paper discoloration.
Artist or Maker
Thomas Daniell
England, London, 1749-1840
Artist or Maker
William Daniell
England, London, 1769-1837
Publisher
Longman, Hurst, Rees, Orme and Brown
England, London
Printer
Free-School Press
England, London
Title
Gate of a Mosque, built by Hafez Ramut, at Pillibeat [Pilibhit] from 'Oriental Scenery, Quarto Prints'
Place Made
England, London
Date Made
May 1, 1813
Medium
Aquatint engraving
Dimensions
Image (Image): 6 1/8 × 9 in. (15.56 × 22.86 cm) Mat (Image): 13 1/4 × 16 in. (33.66 × 40.64 cm) Sheet (Text Page): 10 × 13 1/2 in. (25.4 × 34.29 cm)
Credit Line
Gift of Stephen Markel in memory of Victoria Blyth-Hill
Accession Number
M.2013.137.2a-b
Classification
Prints
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Plate Description:
No. X. GATE OF A MOSQUE, BUILT BY HAFEZ RAMUT, AT PILLIBEAT.

Hafez Ramut was a Rohila chief of great respectability. He commanded the forces against Nawaub Sujah ul Dowla [Nawab Shuja al-Daula of Lucknow], who assisted by the English, in April 1774, defeated the Rohillas, at which time Hafez lost his life.

The Mosque to which this gate belongs, is an handsome edifice richly ornamented, and as well as this entrance carefully finished, much in the style of the modern buildings of the same class at Delhi.

Pillibeat is N.W. of Lucknow, about 150 miles.

Thomas Daniell and his nephew William Daniell were the leading painters and engravers of Indian architecture and landscapes in the 18th-19th centuries. They were the first English artists to produce topographical views of India in their “Views in Calcutta” in 1788. Their best-known work is the monumental series “Oriental Scenery,” comprising 144 large hand-colored aquatint engravings in six volumes, which was published in London over between 1795-1808. William Daniell published a second edition of “Oriental Scenery” in 1812-1816, called the Quarto Edition, which featured smaller uncolored aquatint engravings, including this example.

See also M.2010.158a-b, M.2013.137.1a-b, M.2013.137.3a-b, and M.2013.137.4.