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Collections

Unknown
Vajra Bell (Ghanta)circa 18th century

On view:
Resnick Pavilion, floor 1
Brass ritual bell with a flared body decorated with bands of relief medallions and vajra symbols, surmounted by a sculpted deity face and half-vajra handle
Tibetan ritual bell (ghanta) in silver-toned metal with gilt handle; bell body decorated with bands of rosettes and lotus motifs in relief; handle features a deity face with crown surmounted by a vajra finial.

Unknown, Vajra Bell (Ghanta), circa 18th century, Los Angeles County Museum of Art, Southern Asian Art Council, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Vajra Bell (Ghanta)
Place Made
Central Tibet
Date Made
circa 18th century
Medium
Gilt copper alloy and bell metal
Dimensions
Height: 7 3/8 in. (18.74 cm); Diameter: 3 3/4 in. (9.53 cm)
Credit Line
Southern Asian Art Council
Accession Number
M.2001.158.2
Classification
Tools and Equipment
Collecting Area
South and Southeast Asian Art
Curatorial Notes

A wide range of ritual objects are used in the myriad Vajrayana Buddhist ceremonies performed to propitiate deities for obtaining boons and mundane blessings, to ensure good weather for agricultural bounty, to exorcise demons and avert calamities, and to overcome negative spiritual forces hindering enlightenment. The sacramental implements include thunderbolts (vajra or dorje), priest’s bells (ghanta), flaying knives, ascetic’s staffs, and mirrors; water ewers and vases, butter lamps, skull cups, conch shells, and other vessels; and musical instruments, especially drums, horns, trumpets, and hand cymbals. Perhaps the two most important ceremonial objects are the thunderbolt and bell. The thunderbolt symbolizes the adamantine or unchanging nature of eternity and the male component of compassion. The bell represents the female aspect of wisdom. The pairing of the thunderbolt and bell embodies the enlightened state of compassion and wisdom achieved through the perfect union of the male and female principles.

The bell’s handle is a shaft with the crowned head of Prajnaparamita emerging from a vase of plenty. The terminal is a five-pronged thunderbolt identical in form to its paired thunderbolt (M.2001.158.1). The bell’s shoulders have registers of lotus petals and Tibetan characters. The body has a row of horizontal thunderbolts, a series of Dharma-chakra motifs, and a band of vertical thunderbolts along the base.

Selected Bibliography
  • Huntington, John C. and Dina Bangdel. The Circle of Bliss: Buddhist Meditational Art. Columbus: The Columbus Museum of Art; Chicago: Serindia Publications, 2003.
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.
Selected Exhibition History
  • Ritual Offerings in Tibetan Art. Saturday, September 13, 2014 - Sunday, October 25, 2015

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