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Collections

Apsley Pellatt
Portrait Plaque of George IVcirca 1820-1830

On view:
Geffen Galleries
Framed relief sculpture, white bisque or glass paste portrait bust of a man in profile facing right, set against a diamond-cut cranberry glass panel in a gilt beaded metal frame
Artist or Maker
Apsley Pellatt
England, 1791-1863
Title
Portrait Plaque of George IV
Place Made
England
Date Made
circa 1820-1830
Medium
Sulfide glass, ormolu
Dimensions
Framed: 7 1/8 x 5 1/4 x 1 in. (18.1 x 13.34 x 2.54 cm)
Credit Line
Purchased with funds provided by Dr. and Mrs. Donald Sears and Julia and Morton Winston
Accession Number
M.2001.139
Classification
Furnishings
Collecting Area
Decorative Arts and Design
Curatorial Notes

Apsley Pellatt was a second-generation glassmaker. His father, Apsley Pellatt Senior, owned the Falcon Glass House in Blackfriars, which Pellatt took over upon his father’s death in 1826. Pellatt was interested in the chemistry of glassmaking and, in 1819, patented a technique he called crystallo ceramie, also known as sulphides or cameo incrustations. The process produced silvery cameos, often portraits or coats of arms, encased in transparent glass. Pellatt used this technique, which he may have learned from French glassmakers, to decorate pendants, flasks, paperweights, and other household products. In this example, a portrait of King George IV (r. 1820–30) is surrounded by dramatic trellis cut glass and set against a pink background. The sulphide technique, also practiced in France, Bohemia, and the United States, reflected growing interest in the nineteenth century in experimenting with industrial techniques to produce decorative objects.

Cynthia Kok

2025