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Collections

Cherubino Alberti
EstateProbably before mid-1580s

Not on view
Engraving of a reclining female figure inside a downward-pointing triangular architectural frame, holding a cornucopia of grain, with the word 'ESTATE' above
Artist or Maker
Cherubino Alberti
Italy, Borgo San Sepulcro, 1553-1615
After
Polidoro da Caravaggio
Italy, circa 1499- circa 1543
Title
Estate
Place Made
Italy
Date Made
Probably before mid-1580s
Period
Probably late 16th century
Medium
Engraving
Dimensions
Sheet: 9 1/2 × 6 1/4 in. (24.13 × 15.88 cm) Image: 9 1/2 × 6 1/4 in. (24.13 × 15.88 cm)
Credit Line
Mary Stansbury Ruiz Bequest
Accession Number
M.88.91.185d
Classification
Prints
Collecting Area
Prints and Drawings
Curatorial Notes

Early in his career, Cherubino Alberti produced engravings after important sixteenth-century paintings by Raphael and his followers, notably Polidoro da Caravaggio, who specialized in decorations that once adorned the facades of Roman houses. Cherubino’s prints are thus valuable documents of works that might otherwise be lost to time. This series of four prints (see also M.88.91.85a, b, and c) probably dates to the first half of the 1580s, when his primary concern was in making engravings that reproduced Mannerist fresco paintings. By the beginning of the seventeenth century, he was receiving decorative commissions of his own, and the prints that can be dated to that period include dedications to powerful families like the Medici not seen in the present series.

The unique form of these four engravings indicates that they are meant to depict decorations on spandrels, the curved arches that join wall and ceiling. Each spandrel features a personification of one of the four seasons. Here, Estate (Summer) is shown as a robed woman holding a cornucopia, or horn of plenty, her partially bare bosom suggesting the abundance of nourishment associated with the season.

Claire Spadafora Baes

2024

Selected Bibliography
  • Bartsch, Adam von. The Illustrated Bartsch. New York: Abaris Books, 1978.

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