Page from a Manuscript of the Qur'an (4:23-24; 4:24-25)

Views 1 2
Enlarge My gallery Comment Tag Share Download Image*
https://s3-us-west-2.amazonaws.com/collections.lacma.org-images/remote_images/ma-64728-O3.jpg?G0.w5jath7VJlN_86iGWtTw6yEWxNCBo
Enlarge My gallery Comment Tag Share Download Image*
https://s3-us-west-2.amazonaws.com/collections.lacma.org-images/remote_images/ma-47077-O3.jpg?CT6Az28loWK_r5fNOfdyI3aW0P.SaEdL
View comments
No comments have been posted yet.
Add a comment
Please log in to add comments.
Enter your LACMA Collections username.
Enter the password that accompanies your username.
New to our collections website? Sign up to create an account and start saving your favorites. Please note that this account is not the same as the MyLACMA account you may have for ticketing and membership transactions.
Download powerpoint quality jpeg Download publication quality tiff
Download powerpoint quality jpeg Download publication quality tiff
Current tags
This item has not been tagged yet.
Please log in to add tags.
Enter your LACMA Collections username.
Enter the password that accompanies your username.
New to our collections website? Sign up to create an account and start saving your favorites. Please note that this account is not the same as the MyLACMA account you may have for ticketing and membership transactions.
* Nearly 20,000 images of artworks the museum believes to be in the public domain are available to download on this site. Other images may be protected by copyright and other intellectual property rights. By using any of these images you agree to LACMA's Terms of Use.

Page from a Manuscript of the Qur'an (4:23-24; 4:24-25)

Tunisia, probably Qairawan, late 9th-early 10th century
Manuscripts; folios
Gold leaf, silver, and ink on parchment colored with indigo
11 1/8 x 14 3/4 in. Frame: 29 × 23 × 1 1/2 in. (73.66 × 58.42 × 3.81 cm)
The Nasli M. Heeramaneck Collection, gift of Joan Palevsky (M.86.196)
Islamic Art
Not currently on public view

Curator Notes

With its distinctive blue color and use of gold and silver ink for the script, this page can be readily identified as coming from a manuscript known as the Blue Qur’an, which is dispersed among severa...
With its distinctive blue color and use of gold and silver ink for the script, this page can be readily identified as coming from a manuscript known as the Blue Qur’an, which is dispersed among several collections in North America, Europe, and the Middle East but survives primarily in Tunisia, where it was probably made. While this Qur’an is so far unique among Islamic manuscripts due to its coloration, it does share similarities with Byzantine manuscripts that used purple parchment with metallic inks.
More...

Bibliography

  • Evans, Helen C. and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition, 7th-9th Century. New York: Metropolitan Museum of Art, 2012.

  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.

  • Evans, Helen C. and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition, 7th-9th Century. New York: Metropolitan Museum of Art, 2012.

  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.

  • Bloom, Jonathan M. "The Blue Koran Revisited." Journal of Islamic Manuscripts v.6, no.2-3 (2015): 196-218.
  • Komaroff, Linda. Beauty and Identity: Islamic Art from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2016.

  • Pal, Pratapaditya, Thomas W. Lentz, Sheila R. Canby, Edwin Binney, 3rd, Walter B. Denny, and Stephen Markel. "Arts from Islamic Cultures: Los Angeles County Museum of Art." Arts of Asia 17, no. 6 (November/December 1987): 73-130.

  • Los Angeles County Museum of Art.  New York: Thames and Hudson, 2003.
  • Komaroff, Linda.  Islamic Art at the Los Angeles County Museum of Art.  Los Angeles:  Museum Associates, 2005.
  • Blair, Shelia S. Islamic Calligraphy. Edinburgh: Edinburgh University Press, 2006.
More...