Wild Sea and the Milky Way Athwart the Island of Sado

© The Stanton and Jean Macdonald-Wright Estate
My gallery Comment Tag Order Photography*
View comments
No comments have been posted yet.
Add a comment
Please log in to add comments.
Enter your LACMA Collections username.
Enter the password that accompanies your username.
New to our collections website? Sign up to create an account and start saving your favorites. Please note that this account is not the same as the MyLACMA account you may have for ticketing and membership transactions.
Current tags
This item has not been tagged yet.
Please log in to add tags.
Enter your LACMA Collections username.
Enter the password that accompanies your username.
New to our collections website? Sign up to create an account and start saving your favorites. Please note that this account is not the same as the MyLACMA account you may have for ticketing and membership transactions.
* Nearly 20,000 images of artworks the museum believes to be in the public domain are available to download on this site. Other images may be protected by copyright and other intellectual property rights. By using any of these images you agree to LACMA's Terms of Use.

Wild Sea and the Milky Way Athwart the Island of Sado

Series: The Haiku Series, #4
Edition: 17 of 50
Portfolio: Haiga Portfolio

United States, 1966-1967
Prints; woodcuts
Woodcut
Sheet: 21 3/8 × 17 3/4 in. (54.29 × 45.09 cm) Image: 19 7/8 × 15 7/8 in. (50.48 × 40.32 cm)
Gift of Modernage Photography Service, Inc. (M.85.215.4)
Prints and Drawings
Not currently on public view

Label

From the exhibition Stanton Macdonald-Wright and His Circle at LACMA January 29-May 28, 2003 ...
From the exhibition Stanton Macdonald-Wright and His Circle at LACMA January 29-May 28, 2003 When Macdonald-Wright was seventy-five years old, he created twenty color woodblock prints of Haiga, an image illustrating a haiku (seventeen syllable, three-line poems that do not rhyme). The portfolio illustrates haiku by some of Japan's most revered poets: Basho, Buson, Issa, Shiki, Chiyoni, and Hokushi. Each Haiga's title is a translation of the haiku. The Haiga portfolio prints affirmed one of the fundamental precepts of Synchromism: art must draw inspiration from both past and present to be vital and enduring. The Haiga images also testify to Macdonald-Wright's unceasing commitment to bridging East and West.
More...

Bibliography

  • South, Will. Color, Myth, And Music:  Stanton Macdonald-Wright and Synchromism. Raleigh, North Carolina:  North Carolina Museum of Art, 2001.