Back Seat Dodge '38

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© Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, CA
My gallery Comment Tag Order Photography*
© Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, CA
My gallery Comment Tag Order Photography*
© Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, CA
My gallery Comment Tag Order Photography*
© Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, CA
My gallery Comment Tag Order Photography*
© Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, CA
My gallery Comment Tag Order Photography*
© Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, CA
My gallery Comment Tag Order Photography*
© Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, CA
My gallery Comment Tag Order Photography*
© Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, CA
My gallery Comment Tag Order Photography*
© Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, CA
My gallery Comment Tag Order Photography*
© Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, CA
My gallery Comment Tag Order Photography*
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Back Seat Dodge '38

United States, 1964
Time Based Media
Paint, fiberglass and flock, 1938 Dodge, recorded music, and player, chicken wire, beer bottles, artificial grass, and cast plaster figures.
66 x 120 x 156 in. (167.64 x 304.8 x 396.24 cm); Current footprint: 120 x 145 in. (304.8 x 368.3cm)
Purchased with funds provided by the Art Museum Council Fund (M.81.248a-f)
Modern Art
Not currently on public view

Bibliography

  • Inside Cars. New York: 2wice Arts Foundation, 2001.
  • Saar, Betye, and Jonathan Griffin. "Influences: Betye Saar." Frieze no.182 (October 2016): 218-223.
  • Edward Kienholz. Zurich: Kunsthaus Zurich; London: Institute of Contemporary Arts, 1971.
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  • Edward Kienholz. Zurich: Kunsthaus Zurich; London: Institute of Contemporary Arts, 1971.

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    View this publication in LACMA's Reading Room

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    View this publication in LACMA's Reading Room

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    View this publication in LACMA's Reading Room

  • Francis, Mark, ed.  Les Années Pop.  Paris: Editions du Centre Pompidou, 2001.
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  • Lamanna, Mary Ann and Riedmann, Agnes.  Marriages and Families: Making Choices in a Diverse Society.  Belmont, CA: Wadsworth/Thomson Learning, 2003.
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  • Schrank, Sarah. Art and the City: Civic Imagination and Cultural Authority in Los Angeles. Philadelphia: University of Pennsylvania Press, 2009.
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  • Muchnic, Suzanne. LACMA So Far: Portrait of a Museum in the Making. San Marino, California: Huntington Library, Art Collections, and Botanical Gardens, 2015.
  • Meyer, James. Los Angeles to New York: Dwan Gallery, 1959-1971. Washington: National Gallery of Art; Chicago: University of Chicago Press, 2016.
  • Barron, Stephanie. Acknowledgments, or Every Label Tells a Story. Los Angeles: Art Catalogues: LACMA, 2017.
  • Thwaites, John Anthony. "Kienholz and Realism." Art and Artists 8, no.6 (1973): 22-27.
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