Narasimha, the Man-Lion Avatar of Vishnu

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Narasimha, the Man-Lion Avatar of Vishnu

India, Uttar Pradesh, Mathura region, mid-6th century
Sculpture
Mottled red sandstone
33 1/4 x 18 1/2 x 7 1/2 in. (84.46 x 46.99 x 19.05 cm)
From the Nasli and Alice Heeramaneck Collection, purchased with funds provided by the Jane and Justin Dart Foundation (M.81.90.20)
Not currently on public view

Curator Notes

As the guardian of the earth, the Hindu god Vishnu assumes a succession of heroic animals and semi-mortal saviors, called avatars, through which he intervenes in times of crisis or unrighteousness....
As the guardian of the earth, the Hindu god Vishnu assumes a succession of heroic animals and semi-mortal saviors, called avatars, through which he intervenes in times of crisis or unrighteousness. In his fourth avatar, Vishnu manifested as Narasimha (man-lion) to save the pious Prahlada from his bigoted father, the Demon King Hiranyakashipu, to whom the god Brahma had given a boon making him invulnerable to man or beast, unable to be killed indoors or outdoors, and unconquerable in day or night. To subvert the boon, Vishnu ingeniously assumed a form that was half-man and half-lion (neither man nor beast), and he attacked while his foe was standing on a porch (neither indoors nor outdoors) during the twilight hour (neither day nor night). Narasimha has a lion’s head with a long mane and flaring whiskers. His head is crowned by a lotus. Originally, he had a large nimbus that is now mainly missing. He wears a twisted necklace, armlets in the form of a makara (mythical aquatic creature), a long forest garland (vanamala) that hangs below his knees, and a dhoti with drapery folds between his legs. He has four arms that hold his symbolic attributes. In his upper left hand, he holds a conch. His upper right hand is now broken but may have originally held a myrobalan fruit or a lotus. His two lower hands rest on personified attributes. The discus is on his left and the mace is on his right. The mace is represented as a female because the Sanskrit word for mace (gada) is feminine in gender.
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Bibliography

  • Rosenfield, John.  The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection.  Boston:  Museum of Fine Arts, Boston, 1966.
  • Pal, Pratapaditya. The Ideal Image : The Gupta Sculptural Tradition and Its Influence.  New York : Asia Society in association with J. Weatherhill, 1978.
  • Rosenfield, John.  The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection.  Boston:  Museum of Fine Arts, Boston, 1966.
  • Pal, Pratapaditya. The Ideal Image : The Gupta Sculptural Tradition and Its Influence.  New York : Asia Society in association with J. Weatherhill, 1978.
  • Pal, Pratapaditya. Indian Sculpture, vol.1. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1986.
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