Ritual Skullcup with Lid and Stand

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Ritual Skullcup with Lid and Stand

Eastern Tibet, Kham region, Derge (?), circa 1900-1950
Furnishings; Serviceware
Human skull, repoussé copper electroplated with silver, and cast brass electroplated with silver; inset animal bone; interior with silver fittings and turquoise
Stand: 3 11/16 x 6 1/8 x 6 3/16 in. (9.3663 x 15.5575 x 15.7163 cm) 8 3/4 × 6 1/8 × 7 in. (22.23 × 15.56 × 17.78 cm)
Purchased with funds provided by Mr. and Mrs. Paul E. Manheim (M.82.201a-c)
Not currently on public view

Curator Notes

...
The skullcup (kapala), symbolic of the transitory nature of existence, is an essential part of the Tantric tradition in Vajrayana Buddhism. Skulls are gathered from the charnel fields, or reportedly bequeathed by the monks themselves. They are never taken from living persons killed for the purpose of obtaining their skull. In the Chakrasamvara meditations, the practitioner or Yogin creates a mandala of impure substances, the five nectars and the five meats, in the skullcup. These meditational substances symbolize all the negativity possessed by that individual. The practitioner would then visualize boiling this negativity into a mercury-like elixir, into which a ritual staff (khatvanga) is melted. Once produced, the liquid is consumed, symbolizing the complete destruction of all negativities, and the practitioner is purified and, thus, prepared for the completion stage of the meditations. This skullcup is made from a section of an actual cranium, The interior is lined with silver on the sides. In the center is a silver lotus medallion inlaid with turquoise. The exterior rim is ringed by a row of grinning skulls made of bone set in silver. The lid is openwork repoussé copper electroplated with silver in the form of two writhing dragons and two precious jewel clusters risinig out of swirling water with precious jewel terminals. The lid is surmounted by a five-pronged thunderbolt (vajra) made of cast brass electroplated with silver. The triangular stand on which the skullcup rests has three large skulls at the corners and ocean waves replete with precious jewels on the upper sides. The lower part of the stand is a double lotus base. The flat base is triangular and has stylized water motifs on the top, geometric designs on the sides, and a coil border on the bottom edge. See also M.79.243.4.
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Bibliography

  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.
  • Pal, Pratapaditya. Art of Tibet. Expanded edition. Los Angeles: Los Angeles County Museum of Art, 1990.

Exhibition history

  • Ritual Offerings in Tibetan Art Los Angeles, CA, Los Angeles County Museum of Art, September 13, 2014 - October 25, 2015