The Young Christ

© Alexej von Jawlensky/Artists Rights Society (ARS) New York
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The Young Christ

Russia, 1918
Paintings
Oil on canvas
13 × 10 in. (33.02 × 25.4 cm)
Gift of Mr. Sam Freeman and Harriet Press Freeman (M.79.103)
Modern Art
Currently on public view:
Broad Contemporary Art Museum, floor 3

Since gallery displays may change often, please contact us before you visit to make certain this item is on view.

Provenance

The artist (1864-1941); [by 1924 to Galkya Scheyer (1889-1945), Hollywood]; by 1930 to Hermann Sachs (1891–1974), Los Angeles; Mr. Sam Freeman and Harriet Press Freeman; given in 1979 to LACMA.

Label

Along with Wassily Kandinsky and Franz Marc, Alexej von Jawlensky cofounded Der Blaue Reiter (The Blue Rider), a Munich-based group known for an interest in the spiritual dimension of art....
Along with Wassily Kandinsky and Franz Marc, Alexej von Jawlensky cofounded Der Blaue Reiter (The Blue Rider), a Munich-based group known for an interest in the spiritual dimension of art. Painted in luminous colors with haunting dark eyes, the figure in The Young Christ conveys a powerful sense of emptiness and solitude. The painting is one of a series known as Variations, in which Jawlensky focused on the human face as the bearer of emotion.

In the 1930s Galka Scheyer, a German émigré collector and art dealer, settled in Los Angeles and promoted Jawlensky, Lyonel Feininger, Kandinsky, and Paul Klee. Through her efforts many local collectors acquired works by Jawlensky, including Samuel and Harriet Freeman, whose Hollywood Hills home was designed by Frank Lloyd Wright. This painting, with its original frame by architect Rudolph Schindler, remained in their house until they donated it to LACMA in 1979.

Wall label, 2021.
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Bibliography

  • Jawlensky, Maria, Lucia Pieroni-Jawlensky, and Angelica Jawlensky. Alexej von Jawlensky: Catalogue Raisonné of the Oil Paintings. London: Sotheby's Publications, 1992.
  • Rattemeyer, Volker; Koszinowski, Ingrid.Jawlensky:  Meine liebe Galka!  Wiesbaden:  Museum Wiesbaden, 2004.
  • Jawlensky, Maria, Lucia Pieroni-Jawlensky, and Angelica Jawlensky. Alexej von Jawlensky: Catalogue Raisonné of the Oil Paintings. London: Sotheby's Publications, 1992.
  • Rattemeyer, Volker; Koszinowski, Ingrid.Jawlensky:  Meine liebe Galka!  Wiesbaden:  Museum Wiesbaden, 2004.
  • Barron, Stephanie. Acknowledgments, or Every Label Tells a Story. Los Angeles: Art Catalogues: LACMA, 2017.
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