Wrong

© John Baldessari 1966-1968. Courtesy Estate of John Baldessari
My gallery Comment Tag Order Photography*
View comments
No comments have been posted yet.
Add a comment
Please log in to add comments.
Enter your LACMA Collections username.
Enter the password that accompanies your username.
New to our collections website? Sign up to create an account and start saving your favorites. Please note that this account is not the same as the MyLACMA account you may have for ticketing and membership transactions.
Current tags
This item has not been tagged yet.
Please log in to add tags.
Enter your LACMA Collections username.
Enter the password that accompanies your username.
New to our collections website? Sign up to create an account and start saving your favorites. Please note that this account is not the same as the MyLACMA account you may have for ticketing and membership transactions.
* Nearly 20,000 images of artworks the museum believes to be in the public domain are available to download on this site. Other images may be protected by copyright and other intellectual property rights. By using any of these images you agree to LACMA's Terms of Use.

Wrong

1966-1968
Paintings
Photoemulsion with acrylic on canvas
59 x 45 in. (149.86 x 114.3 cm)
Contemporary Art Council (M.71.40)
Contemporary Art
Not currently on public view

Label

A pioneer of Conceptual art, John Baldessari’s exploration of language questions the very nature of communication, a subject that grows more complex with each technological advance....
A pioneer of Conceptual art, John Baldessari’s exploration of language questions the very nature of communication, a subject that grows more complex with each technological advance. In Wrong—an early and pivotal example of conceptualism—Baldessari is photographed with a palm tree seemingly growing out of his head, exemplifying a well-known error in photographic composition. The title is meant to refer to multiple types of “wrongness” and also may be ironic: a basic tenet of avant-garde art is that there are no inviolable rules or universal standards when it comes to making, conceiving, or judging art. As Baldessari explained, “I love the idea that somebody would just say that this is right and this is wrong. So I decided I would have. . . a work of art that was wrong— which seems right to me.”

Baldessari played an important role as a widely respected mentor and teacher at the California Institute of the Arts (CalArts) and the University of California, Los Angeles between 1970 and 2008.

Wall label, 2021.
More...

Bibliography

  • Engler, Martin, ed. John Baldessari: The Städel Paintings. Munich: Hirmer, 2015.

  • Tuchman, Maurice.  Ten Years of Contemporary Art Council Acquisitions: Inaugurating The New Contemporary Art Galleries.  Los Angeles: Los Angeles County Museum of Art, 1973.

  • Engler, Martin, ed. John Baldessari: The Städel Paintings. Munich: Hirmer, 2015.

  • Tuchman, Maurice.  Ten Years of Contemporary Art Council Acquisitions: Inaugurating The New Contemporary Art Galleries.  Los Angeles: Los Angeles County Museum of Art, 1973.
  • A Focus on California:  Selections from the Collection. Los Angeles: Los Angeles County Museum of Art, 1984.
  • Grundberg, Andy; Gauss, Kathleen McCarthy. Photography and Art:  Interactions Since 1946. Fort Lauderdale, Florida:  Museum of Art; Los Angeles, CA:  Los Angeles County Museum of Art, 1987.
  • Barron, Stephanie, Michel Draguet, and Sara Cochran. Magritte and Contemporary Art: The Treachery of Images. Los Angeles: Los Angeles County Museum of Art; Belgium: Ludion, 2006.
  • Mark, Lisa Gabrielle; Paul Schimmel, eds. Under the Big Black Sun: California Art 1974-1981. Los Angeles: Museum of Contemporary Art, Los Angeles; Munich; New York : DelMonico Books-Prestel, 2011.
More...