Jeannette V

© Succession H. Matisse / Artists Rights Society (ARS), New York
My gallery Comment Tag Order Photography*
View comments
No comments have been posted yet.
Add a comment
Please log in to add comments.
Enter your LACMA Collections username.
Enter the password that accompanies your username.
New to our collections website? Sign up to create an account and start saving your favorites. Please note that this account is not the same as the MyLACMA account you may have for ticketing and membership transactions.
Current tags
This item has not been tagged yet.
Please log in to add tags.
Enter your LACMA Collections username.
Enter the password that accompanies your username.
New to our collections website? Sign up to create an account and start saving your favorites. Please note that this account is not the same as the MyLACMA account you may have for ticketing and membership transactions.
* Nearly 20,000 images of artworks the museum believes to be in the public domain are available to download on this site. Other images may be protected by copyright and other intellectual property rights. By using any of these images you agree to LACMA's Terms of Use.

Jeannette V

France, 1916
Sculpture
Bronze, cast number 5/10
22 7/8 × 8 1/2 × 9 1/4 in. (58.1 × 21.59 × 23.5 cm)
Gift of the Art Museum Council in memory of Penelope Rigby (M.68.48.3)
Modern Art
Currently on public view:
Broad Contemporary Art Museum, floor 3

Since gallery displays may change often, please contact us before you visit to make certain this item is on view.

Label

Although Jeannette I–V were not created in a series, together the five heads provide an extraordinary illustration of the arc of modern sculpture from the late nineteenth into the twentieth cen...
Although Jeannette I–V were not created in a series, together the five heads provide an extraordinary illustration of the arc of modern sculpture from the late nineteenth into the twentieth century. Henri Matisse created Jeannette I and II directly from the model, Jeanne Vaderin. The two sculptures served as the basis for the subsequent three bronzes, which are increasingly androgynous and abstract; the base is integrated into a volumetric whole, emphasizing the process of creation, the materiality of the object, and the expressive properties of clay and bronze. LACMA’s full set is one of only four in a public collection.

Wall label, 2021.
More...

Bibliography

  • Mezzatesta, Michael P. Henri Matisse, Sculptor/Painter: a Formal Analysis of Selected Works. Fort Worth, TX: Kimbell Art Museum, 1984
  • Donahue, Kenneth. Los Angeles County Museum of Art Handbook. Los Angeles: Los Angeles County Museum of Art, 1977.
  • Mezzatesta, Michael P. Henri Matisse, Sculptor/Painter: a Formal Analysis of Selected Works. Fort Worth, TX: Kimbell Art Museum, 1984
  • Donahue, Kenneth. Los Angeles County Museum of Art Handbook. Los Angeles: Los Angeles County Museum of Art, 1977.
  • Powell III, Earl A., Robert Winter, and Stephanie Barron. The Robert O. Anderson Building. Los Angeles: Los Angeles County Museum of Art, 1986.
  • Cowling, Elizabeth.  Picasso: Style and Meaning.  London: Phaidon Press, Ltd., 2002.
More...